
JakeAC5253
New member
Although I don't really listen to VH stuff nowadays, I credit Eddie with lighting a fire under my ass and ultimately making me pick up the guitar in the first place. I listened to a whole bunch of shit music that was popular at the time I was in high school, KoRn, Eminem, Nirvana, Puddle of Mudd, Linkin Park.. don't hate, it was actually popular at the time.
One day when rummaging through my mom's old albums I came back with a bunch of old rubbers to spin (ok, they were CD's, I'm not that old). It was like next, next, next, but when I got to VH1, I felt the need to stop and listen back. It was like truly hearing the electric guitar for the first time, now I knew what it sounded like, and it had a voice of its own. It caught my ear because it wasn't stuck in the background playing some buried hook or sludgy overdistorted riff just to give the vocals something to sing over, it was RIGHT THERE! And I was hooked, I had to listen to that album all day every day. For a while I didn't even listen to other music, I just listened to VH1 and tried to figure out what he was doing.
Fast forward a bit, I had my first electric guitar and shit combo amp. Screw open chords, I'm too cool for that, I want to play VH stuff. And that was it right there, it was the whole attitude of the thing. He wasn't playing the guitar to fit the music, it was like he wanted to be heard at all times and he knew how to do it lyrically and without becoming stale or generic. He had a certain disrespect for the instrument, that was appealing. In the middle of a solo he would just say fuck it, I'm doing a dive bomb and I don't care who has something to say about it. I don't really subscribe to the "he was an innovator" angle of it, I just think he had an attitude that he's got to be the best and he's always got to improve himself in the process.
Like I said, I'm not much of a VH fanboy anymore, I've sort of moved on, but he was and is a huge influence on my playing style. It's audible sometimes in my jamming, riffing, and song writing. Just the little 'flair' that I learned from him comes through me whether I want it to or not.
One day when rummaging through my mom's old albums I came back with a bunch of old rubbers to spin (ok, they were CD's, I'm not that old). It was like next, next, next, but when I got to VH1, I felt the need to stop and listen back. It was like truly hearing the electric guitar for the first time, now I knew what it sounded like, and it had a voice of its own. It caught my ear because it wasn't stuck in the background playing some buried hook or sludgy overdistorted riff just to give the vocals something to sing over, it was RIGHT THERE! And I was hooked, I had to listen to that album all day every day. For a while I didn't even listen to other music, I just listened to VH1 and tried to figure out what he was doing.
Fast forward a bit, I had my first electric guitar and shit combo amp. Screw open chords, I'm too cool for that, I want to play VH stuff. And that was it right there, it was the whole attitude of the thing. He wasn't playing the guitar to fit the music, it was like he wanted to be heard at all times and he knew how to do it lyrically and without becoming stale or generic. He had a certain disrespect for the instrument, that was appealing. In the middle of a solo he would just say fuck it, I'm doing a dive bomb and I don't care who has something to say about it. I don't really subscribe to the "he was an innovator" angle of it, I just think he had an attitude that he's got to be the best and he's always got to improve himself in the process.
Like I said, I'm not much of a VH fanboy anymore, I've sort of moved on, but he was and is a huge influence on my playing style. It's audible sometimes in my jamming, riffing, and song writing. Just the little 'flair' that I learned from him comes through me whether I want it to or not.