good amp for recording metal?

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maddnotez

maddnotez

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Just trying to get opinions. Dont care if its 15w or 300. I heard a cd last night recorded with a practice amp and itvsounded brutal.
 
In my opinion, you really can't really beat the recording capabilities of a 5150 for metal. Especially for the monies.
 
A lot of the heavier stuff is recorded with either a Recto or 5150/5150ii/6505/6505+ it seems. Either of those with a v30 loaded cab should work just fine. The 5150/6505s are probably the best bang for the buck... especially the combo version.
 
Vrad":2g32p13p said:
A lot of the heavier stuff is recorded with either a Recto or 5150/5150ii/6505/6505+ it seems. Either of those with a v30 loaded cab should work just fine. The 5150/6505s are probably the best bang for the buck... especially the combo version.

This! Another option if you're on a budget is the Peavey Triple XXX. Pretty versatile with 3 channels and active eq. Can get pretty chunky! These also seem to like V30's.
 
The Hoff":2rdtb233 said:
In my opinion, you really can't really beat the recording capabilities of a 5150 for metal. Especially for the monies.

Kind of what i was leaning toward. I like my vht but need something to add to it.
 
maddnotez":2k5wmawr said:
Just trying to get opinions. Dont care if its 15w or 300. I heard a cd last night recorded with a practice amp and itvsounded brutal.


Well, narrowing it down from what you described.. Any of these amps can do it. Now pick one

Peavey 5150
Peavey 5150 II
Peavey XXX
Peavey JSX
Mesa Dual Rectifier
Mesa Triple Rectifier
Mesa Trem-o-verb
Mesa Roadster
Mesa Road King II
Mesa F-50
Mesa Mark III
Mesa Mark IV
Mesa Mark V
Bogner Uberschall
Bogner Alchemist
ENGL SE
ENGL Invader
ENG Savage 120
ENGL Powerball
ENGL Powerball 2
ENGL Fireball
ENGL Thunderhead
Diezel VH4
Diezel Herbert
Diezel Einstein
Diezel Hagen
Krank Krankenstein
Krank Krankenstein +
Krank Rev+
Marshall JVM
Marshall JCM2000
Marshall JCM2203KK
Marshall JCM900
Marshall DSL-100
Marshall Mode Four
VHT Sig:X
VHT Deliverance
VHT Pittbull Ultra-Lead
VHT Pittbull Hundred/CLX
VHT Pittbull CL
Hughes & Kettner TriAMp
Hughes & Kettner Duotone
Hughes & Kettner Coreblade
Hughes & Kettner Switchblade
Hughes & Kettner Trilogy
Hughes & Kettner Vortex
Soldano SLO-100
Soldano Avenger
Soldano Hot Rod (maybe)
Fender/EVH 5150 III
Laney VH100
B52 AT-100
Randall RM100KH
Randall Lynchbox
Randal NB King 100 (maybe)
Randal MTS with whatever modules
 
When we recorded our last EP, I showed up with my live rig to see what the producer wanted to use. He destroyed my dual rect; said it's the worst amp to use to record!

My feelings were hurt that day. LOL

PJ
 
pjrake":2ooqgcyh said:
When we recorded our last EP, I showed up with my live rig to see what the producer wanted to use. He destroyed my dual rect; said it's the worst amp to use to record!

My feelings were hurt that day. LOL

PJ
Guess I know who not to go to regarding good metal tone. :loco: And to be clear, I mean the producer, not you. He does know that it's one of the most common metal amps of all time, right?
 
vultures":16k8tz44 said:
maddnotez":16k8tz44 said:
Just trying to get opinions. Dont care if its 15w or 300. I heard a cd last night recorded with a practice amp and itvsounded brutal.


Well, narrowing it down from what you described.. Any of these amps can do it. Now pick one

Peavey 5150
Peavey 5150 II
Peavey XXX
Peavey JSX
Mesa Dual Rectifier
Mesa Triple Rectifier
Mesa Trem-o-verb
Mesa Roadster
Mesa Road King II
Mesa F-50
Mesa Mark III
Mesa Mark IV
Mesa Mark V
Bogner Uberschall
Bogner Alchemist
ENGL SE
ENGL Invader
ENG Savage 120
ENGL Powerball
ENGL Powerball 2
ENGL Fireball
ENGL Thunderhead
Diezel VH4
Diezel Herbert
Diezel Einstein
Diezel Hagen
Krank Krankenstein
Krank Krankenstein +
Krank Rev+
Marshall JVM
Marshall JCM2000
Marshall JCM2203KK
Marshall JCM900
Marshall DSL-100
Marshall Mode Four
VHT Sig:X
VHT Deliverance
VHT Pittbull Ultra-Lead
VHT Pittbull Hundred/CLX
VHT Pittbull CL
Hughes & Kettner TriAMp
Hughes & Kettner Duotone
Hughes & Kettner Coreblade
Hughes & Kettner Switchblade
Hughes & Kettner Trilogy
Hughes & Kettner Vortex
Soldano SLO-100
Soldano Avenger
Soldano Hot Rod (maybe)
Fender/EVH 5150 III
Laney VH100
B52 AT-100
Randall RM100KH
Randall Lynchbox
Randal NB King 100 (maybe)
Randal MTS with whatever modules

Dar Forza !
 
vultures":3vvcnmkv said:
maddnotez":3vvcnmkv said:
Just trying to get opinions. Dont care if its 15w or 300. I heard a cd last night recorded with a practice amp and itvsounded brutal.


Well, narrowing it down from what you described.. Any of these amps can do it. Now pick one

Peavey 5150
Peavey 5150 II
Peavey XXX
Peavey JSX
Mesa Dual Rectifier
Mesa Triple Rectifier
Mesa Trem-o-verb
Mesa Roadster
Mesa Road King II
Mesa F-50
Mesa Mark III
Mesa Mark IV
Mesa Mark V
Bogner Uberschall
Bogner Alchemist
ENGL SE
ENGL Invader
ENG Savage 120
ENGL Powerball
ENGL Powerball 2
ENGL Fireball
ENGL Thunderhead
Diezel VH4
Diezel Herbert
Diezel Einstein
Diezel Hagen
Krank Krankenstein
Krank Krankenstein +
Krank Rev+
Marshall JVM
Marshall JCM2000
Marshall JCM2203KK
Marshall JCM900
Marshall DSL-100
Marshall Mode Four
VHT Sig:X
VHT Deliverance
VHT Pittbull Ultra-Lead
VHT Pittbull Hundred/CLX
VHT Pittbull CL
Hughes & Kettner TriAMp
Hughes & Kettner Duotone
Hughes & Kettner Coreblade
Hughes & Kettner Switchblade
Hughes & Kettner Trilogy
Hughes & Kettner Vortex
Soldano SLO-100
Soldano Avenger
Soldano Hot Rod (maybe)
Fender/EVH 5150 III
Laney VH100
B52 AT-100
Randall RM100KH
Randall Lynchbox
Randal NB King 100 (maybe)
Randal MTS with whatever modules


good lord that list is epic. i know some guys on here have half of those amps in there houses right now.
 
I use 5150 for live and record with JCM800 (and boosts) for both our cds

never found the 5150 to record very well for me :confused:

:rock:

But in saying that, you can probably get decent sounds out of anything with post recording techniques!! :lol: :LOL:

Halford
 
rogthefrog":3bvb1hlc said:
The Rhodes Colossus slays.

^^^True

Splawn -- 'nuff said. (But if you need clarification, KT88 - based Nitro)
 
pjrake":2228o9yg said:
When we recorded our last EP, I showed up with my live rig to see what the producer wanted to use. He destroyed my dual rect; said it's the worst amp to use to record!

My feelings were hurt that day. LOL

PJ

Confused by this. So many albums were recording using those amps. What makes him say that? Was it because they have a ton of low-end? But he's a producer so he should know how to make it sit in the mix. I'd think if he was doing this for a living and dealing with metal bands, he'd be used to seeing Recto's being brought in by guitar players...
 
Yeah come to think of it, why would he tell you that you can't use your rig and tell you it's the worst amp to record, did he offer you any explanation, what was his argument for saying so?
 
I have a Splawn Quickrod and a Peavey 5150

The 5150 does not track nearly as good as the Splawn :no: It sounds thicker and more saturated playing live while the Splawn is dryer/less saturated, but when recording the Splawn sounds a bazillion times better hands down

A multitracked Splawn just crushes imo :yes:
 
what about a really low wattage practice amp????

that give brutal tone???
 
pjrake":2unog91p said:
When we recorded our last EP, I showed up with my live rig to see what the producer wanted to use. He destroyed my dual rect; said it's the worst amp to use to record!

My feelings were hurt that day. LOL

PJ

Weird. The engineer I just worked with said nearly the same thing. Crying the Recs have no gain, sounded thin. But he's never recorded with one personally. Really? So I show up last week with my Rectifier as well as a few other amps and he changed his opinion about Mesa's. not sure where these idiots get their info
 
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