
RockStarNick
Active member
A good friend, and studio owner, gave me a ring the other day asking if I'd be interested in some session work for a local solo artist. Of course, my answer was an emphatic YES.
I had a couple of days to learn 3 tunes, put together guitar parts, and write a few solos. Went into the studio last night, and banged everything out in an evening. SO much fun. Easily, the most fun $300 bucks I've ever made.
Gear was amazing. Top notch mics and stuff. But the best part was doing the rhythm tracks. I used my Bogner Shiva 20th Anniversary for one side, and doubled it with a 1978 un-modded Marshall JMP. The combination of the Bogner's warmth and midrange, and the Marshall's bark and clarity, was just incredible. Did the jangly/chimey overdubs with the Marshall and a strat, and the solo's with the Bogner and the LP.
Freakin FUN time. I had fun. The artist was jumping out of his seat at how good it sounded, and the studio owner was loving it. Hopefully, I'll have some more recording sessions in my future.
Here's a quick pic:
I had a couple of days to learn 3 tunes, put together guitar parts, and write a few solos. Went into the studio last night, and banged everything out in an evening. SO much fun. Easily, the most fun $300 bucks I've ever made.


Gear was amazing. Top notch mics and stuff. But the best part was doing the rhythm tracks. I used my Bogner Shiva 20th Anniversary for one side, and doubled it with a 1978 un-modded Marshall JMP. The combination of the Bogner's warmth and midrange, and the Marshall's bark and clarity, was just incredible. Did the jangly/chimey overdubs with the Marshall and a strat, and the solo's with the Bogner and the LP.
Freakin FUN time. I had fun. The artist was jumping out of his seat at how good it sounded, and the studio owner was loving it. Hopefully, I'll have some more recording sessions in my future.
Here's a quick pic:
