F
fretout
Active member
I originally started looking for a Mark series because my Rectifiers (Duals and Triples) didn't seem to track fast enough when I played quicker. I love how chords sound through them, but I wanted to be able to get tighter, more percussive tones, and that's where I started looking to the Mark series.
The first Mark I bought was a Mark IV based on several awesome clips I heard on HCAF, and after learning a bunch of my favorite tones on records were recorded with them, I had to snap one up, but they were really, REALLY hard to find at a decent price.
After a few years, I started to feel like the Mark IV was tamer than I wanted it to be. It sounds great, but I wanted more aggression. I went to check out a Mark III on CL, and that sealed it. Now I have three of them because I can't stand the idea of not having this amp around.
After a few recording sessions with the Mark III, I found that I was backing down the gain in the studio, and it improved the way the layered tracks sounded. After I got back home, I plugged right in and found that the grind sounded really Marshally, so I started messing more with Rhythm 2 and tried to find a tone like Jerry Cantrell's BGWTB tone. I think, for the most part, I have it nailed.
One thing that surprised me is that even when the Mark III is dialed back, it still cuts through other amps known for cutting through a mix. It's pretty funny to see guys constantly turning up the volume to be heard...
The first Mark I bought was a Mark IV based on several awesome clips I heard on HCAF, and after learning a bunch of my favorite tones on records were recorded with them, I had to snap one up, but they were really, REALLY hard to find at a decent price.
After a few years, I started to feel like the Mark IV was tamer than I wanted it to be. It sounds great, but I wanted more aggression. I went to check out a Mark III on CL, and that sealed it. Now I have three of them because I can't stand the idea of not having this amp around.
After a few recording sessions with the Mark III, I found that I was backing down the gain in the studio, and it improved the way the layered tracks sounded. After I got back home, I plugged right in and found that the grind sounded really Marshally, so I started messing more with Rhythm 2 and tried to find a tone like Jerry Cantrell's BGWTB tone. I think, for the most part, I have it nailed.
One thing that surprised me is that even when the Mark III is dialed back, it still cuts through other amps known for cutting through a mix. It's pretty funny to see guys constantly turning up the volume to be heard...