What's up guys. The vids are mine. (thanks for the heads up Ryan)
Yeah that mariachi band is awful. They've been playing like the same 2 or 3 songs for almost 2 years out there and they're still just as terrible as they were the first time we heard them.
The nitro is definately a ruthless tool of destruction. I've never heard ANYTHING distort and clip my mic the way that thing did. I've had my mesa and carvins, our singer's Stiletto trident and rythem player's genz benz el diablo pointed straight at that camera and never even come close to wreaking that amount of havoc on the mic. When I got home and listened to the clips I was like
I tried to play something besides 80's shred and death metal...and managed to get away with it for a while before I gave into temptation. It just sounds so good beating out those huge drop tuned (I was tuned to drop C in those videos) palm mutes I couldn't resist.
And I figured it would be nice to actually hear the amp's clean channel since I don't think anyone has posted that yet. I also use a light overdrive a lot in my playing and since the amp doesn't have independant gain knobs for each level of overdrive (my main complaint with the amp) I use the austin for my light overdrive.
I was skeptical about the amp's ability to play lower gain stuff, blues, classic rock, etc. simply because no one had posted anything with that type of sound coming from the amp so I was pleased to hear it tackle the classic rock and old school marshall crunch quite well. I'm glad it does it sounding like it was actually MADE to be able to do that rather than just simply sounding like a high gain amp being choked to death. I can only assume that the amp's pedigree and origins of its design contribute to this.
I wasn't expecting that thick JTM45 type sound but playing in a band, the clean channel with a generous amount of gain knob and the clean boost offers plenty of that thick low gain stuff.
Speaking of that clean gain, you won't really get much breakup on teh clean channel with the gain dimed at bedroom volume. It's still clean at low volumes but as you raise the volume of the channel, that's when more gain and overdrive is introduced and even at full gain at stage volume, the amp still has a great amount of clarity (Though I got no love from the camera mic on this one). Rolling the clean gain all the way back yields a perfectly crystal clear clean channel that only exhibited a very mild amount of breakup when hitting the strings hard. rolling back the volume knob just a hair though brought it back to totally clean even when aggressive picking is used.
Anyways, the claims that this amp is very loud and incredibly powerful are true. The sound hits your head in a way that it hurts that area deep in your skull. It's like our drummer's snare. It's that sound impact that will distort your vision for a millisecond. If you don't own the stage with one of these, just put down the guitar and give up that hobby.