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I've been playing electric bass for a long time. Been doing the poor guy's high tech experimental rock, record at home thing for a couple years now. I go and play live PA gigs with a laptop and possibly a friend once in a while but mostly do this because I'm self compelled to keep on keepin' on my musical creativity and playing.
Built my own dedicated daw computer last year with the help of my best friend. Researched and researched the thing. (yada, yada)
In short I am now focusing on tone. The most killer tone I can come up with, third to my fingers and my bass of choice. It's weird, but after playing everything from Zons to Specters, to Alembics to Music Man basses, it comes down to the Fender P-Bass believe it or not. NOT with respect to tone, but because of their neck. I don't know what it is, but if I'm not too lazy and let my chops guard down, the neck just works for me. I like 'em set up fast, but mostly, I love the distance between the strings, I strum, slap and pluck a good deal and the necks just work. So I have two American Deluxe P-Basses set up by the same guy with GK pickups through which I play a good deal.
You know how you go through phases where certain things matter and certain things take a back seat? Right now for me it's tone and over all audio quality. It's a neat place for an old busy geezer to be because it's just outside the woodshed and frankly, I am a bit ashamed of how little time I've spent there over the last few years. So, call me an escapist!
As stated, I pretty much rely on a hardware module (old metal case V-Bass) for tonal diversity. I can get a nice audible fuzzed out p-bass, Marcus miller jazz bass, or Fleaesque Music Man tone no problem. Thing is, they don't really transcribe to a recorded signal accurately enough. The signal gets there to the hard drive, via e-mu "m" series outboard cards easy enough, but my tone is just not quite "real" enough.
At any given time I may be spontaneously inputing up to four different signals from the bass as I'm playing. If this were to be the case, there would be 1) The V-Bass, 2)The Active P-Bass, AN RC-50 floor looper & a midi interface writing midi to a computer through which everything is mixed and output.
Would members here that may know recommend a preamp for the purpose of recording direct into a quality external sound card? This being for tone control alone. It doesn't necessarily have to be a pre amp either. Maybe that's not what I need. Maybe there is another device of a different nature altogether that would better help me to achieve that recorded variance between a warm dark tone and a more attack oriented rick or Geddy jazz bass tone to a more defined midbass Beatles type sound.
Thanks
Built my own dedicated daw computer last year with the help of my best friend. Researched and researched the thing. (yada, yada)
In short I am now focusing on tone. The most killer tone I can come up with, third to my fingers and my bass of choice. It's weird, but after playing everything from Zons to Specters, to Alembics to Music Man basses, it comes down to the Fender P-Bass believe it or not. NOT with respect to tone, but because of their neck. I don't know what it is, but if I'm not too lazy and let my chops guard down, the neck just works for me. I like 'em set up fast, but mostly, I love the distance between the strings, I strum, slap and pluck a good deal and the necks just work. So I have two American Deluxe P-Basses set up by the same guy with GK pickups through which I play a good deal.
You know how you go through phases where certain things matter and certain things take a back seat? Right now for me it's tone and over all audio quality. It's a neat place for an old busy geezer to be because it's just outside the woodshed and frankly, I am a bit ashamed of how little time I've spent there over the last few years. So, call me an escapist!

As stated, I pretty much rely on a hardware module (old metal case V-Bass) for tonal diversity. I can get a nice audible fuzzed out p-bass, Marcus miller jazz bass, or Fleaesque Music Man tone no problem. Thing is, they don't really transcribe to a recorded signal accurately enough. The signal gets there to the hard drive, via e-mu "m" series outboard cards easy enough, but my tone is just not quite "real" enough.
At any given time I may be spontaneously inputing up to four different signals from the bass as I'm playing. If this were to be the case, there would be 1) The V-Bass, 2)The Active P-Bass, AN RC-50 floor looper & a midi interface writing midi to a computer through which everything is mixed and output.
Would members here that may know recommend a preamp for the purpose of recording direct into a quality external sound card? This being for tone control alone. It doesn't necessarily have to be a pre amp either. Maybe that's not what I need. Maybe there is another device of a different nature altogether that would better help me to achieve that recorded variance between a warm dark tone and a more attack oriented rick or Geddy jazz bass tone to a more defined midbass Beatles type sound.
Thanks