H
harddriver
Well-known member
Here is alot of wisdom for you Mr Ampchaser.Again, nothing new here, you post the same things over and over.
There is nothing, no clear fact, in all that you posted, that clearly tells us what "could" have been done in details to Ed's amps back then. Only very vague sentences that you interpret / project your own very hypothetical things from, it's all speculation and fantasies as this point.
What we know is Jose for sure worked for Ed and his gear, what he did exactly you can only speculate about it now. Maintained it and made it as sturdy & reliable as possible, most probably to start with. Experiment with things, probably as both him & Ed loved that. Could be anything, and probably lots of small iterations over the years as he said himself (Jose). Probably on several different amps anyway. Could be that it ended with the specs that we know now on his "main" '68 SL as shared by Mike/John/Dave, etc.
Not sure anybody still here with us today really knows/remembers what was exactly in "the" amp that was used during the precise short period of time of VH1 recordings.
Hell, again Ed himself again said he didn't like the tone of this album so much and quickly moved away from it; and even Jose in the Zloz book you reference above said in his own words: "Mainly, we tried to keep the amplifier with the early sound of the Marshalls".
In my world, that means whatever was done, first and foremost they wanted anyway to stay as true / close to the sound & feel of a stock-ish NMV early Marshall as possible.
Adding my personal opinion / speculation on all this: I think whatever was done by Jose & Ed on his main amps, was mainly to:
- make them more reliable / sturdy
- probably "fine tweak" key component specs to whatever Ed was feeling / having in his head
- while trying over time to be able to more easily manage the volume and make the amp slightly easier to play, while still keeping the original early NMV feel & sound as much as possible.
= what most of us often try to accomplish in this kind of gear/tone personal quest when we love old Marshall core sound & feel.
Taming an old original Plexi Marshall is not easy thing in most situations, especially linked to the volume implied; I can only guess this was a driving thing, even for Ed.
Again, chasing things & "tone" is good if that helps you discover new things and evolve as a player/musician/builder/whatever...
And discussing anything old EVH is cool, love him a lot.
But please, let's not fall into the "chasing tales of the hidden secret" down-pit just for the sake of it. It starts to sound like a broken record to me by now.
Btw, the modded Phase 90 you posted a photo of is Joe Holmes' if I recall correctly; the switch/mod is to freeze the sweep from what Joe shared years ago = becomes a filter, that can be used in some way like a fixed wah, ala Schenker.