Really appreciate those words as it means a lot. By interesting I assume that’s in a good way
3-4 is typical of most designs and although I haven’t recorded it at all, Enmity is more along those lines too. You can get where you need to in voltage levels easily with 3-4 but I always felt even Abaddon’s 4 stage design just wasn’t enough. It hits hard enough with palm muting but you have to run the gain levels stupid high with the noise levels increasing with it to get the gain of turned down 5 stages. Very few people are doing 6 stages and the best way to describe it is that it sounds like hi definition 5 stages. Punchier, bigger.
Abaddon wears the name because it’s some of the wildest shit I’ve come up with modding amps and what I know from circuit design. No matter how hard people try, it’s not going to have what Abaddon offers.
At 4 stages the amp sounds more naturally scooped and not as aggressive in the highs. At 6 stages those low mids and lows carry more authority, the top end is extended, and what you say is exactly what’s coming through in the clips - the amp sounds more alive and balanced. It’s just more powerful as I can do a lot of tone shaping to recoup what I believe is lost in the voicing. Throw more volume at it and it gets bigger and better, not thinner and weaker.