
Kapo_Polenton
Well-known member
So my Hotplare is on it's way out (lights don't work, line out is crapping out) and I just bought a radial DI and Pro RMP for reamping. Of course it dawns on my a few weeks later that the Reload has reamping (and signal matching built in), attenuation, and load built in. This means I am essentially getting 3 features should I ever wish to go direct with cab sims due to annoying things like the dog moving my mics or nudging my arm while playing. (he's 100 lbs) The downside is that it is more expensive than something like a Rivera but when I think about the features, it almost seems like a bargain for home recording where you are limited to times when you can crank an amp and shake the basement walls.
I would see it breaking down financially to probably less than what DI/reamp box, good attenuator, and reactive load would cost. I have listened to a few of the demos but wondering in the room and head to head with say the Fryette and Rivera rockcrusher, how is the attenuation on this unit? Is it natural sounding? Or do you need to compensate after the fact? I generally set the hotplate on -4 or -8 db (which is still loud as hell) and it would be nice to take it a bit lower in conjunction with some baffles to keep the sound down. Attenuation, then reamping, then cab sim would be my order of importance.
I would see it breaking down financially to probably less than what DI/reamp box, good attenuator, and reactive load would cost. I have listened to a few of the demos but wondering in the room and head to head with say the Fryette and Rivera rockcrusher, how is the attenuation on this unit? Is it natural sounding? Or do you need to compensate after the fact? I generally set the hotplate on -4 or -8 db (which is still loud as hell) and it would be nice to take it a bit lower in conjunction with some baffles to keep the sound down. Attenuation, then reamping, then cab sim would be my order of importance.