mrmega
Active member
Amp has been traded and is no longer available!!!!
Hughes And Kettner Triamp MK1 with footswitch for sale in excellent condition. -
I am just outside of Philadelphia and would prefer to deal with someone semi-local but shipping is available too at buyers expense. If you are local, you are welcome to come pick it up or I am willing to drive 1hour to meet.
I would rate it at a 9/10. It was just serviced by local amp legend Jim Walton. If you have been in the area for a while, you probably know of him. It has less than 10 minutes playing time since it was serviced.
This is a highly rated and coveted amp.
* I have owned this amp for about 15 years.
* Never gigged it.
* Studio kept. Non-smoking, Pet free environment.
I also have a very nice amp cover for it for $40
I accept Cash & Paypal F&F at time of pickup and I would consider trades for the following (plus or minus cash depending).
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---------------------------------------------
TRADE WANTS( +/- Cash or Trade if needed)
Amp Heads:
1) Marshall Vintage Modern 2266 50-Watt head.
2) Marshall Vintage Modern 2266C 50-Watt combo.
3) Marshall JVM410H head
4) EVH 100 watt EL34S head
5) EVH 100 watt 6L6 Stealth Head
Cabinets:
6) Marshall Vintage Modern 425B Straight cab:
7) Marshall Mode Four Straight Cab (280 Watt version)
8) EVH 5150 Cab that matches the EL34 head
Guitars:
9) Gibson "The Paul" with T-Top Pickups - (!978-1982. Not the Firebrand version)
10 Charvel Model 6 with a Kahler
11) 80's Jackson (with a Kahler or Floyd Rose)
12) Jackson with 3 toggle switches for pickup selection (with a Kahler or Floyd Rose).
13) Early/Mid 80's Ibanez Destroyer 2 II - DT-555 BK - Black
14) 1964 Gibson Melody Maker (prefer one that needs work as I will be heavily customizing it)
15) Gibson Les Paul's
16) High End 7 or 8 String Electric
17) Some Rickenbackers
Road Cases:
18) EVH 100-Watt Head Road Case
19) Marshall Head Road Case
20) Marshall 4x12 Road Case
21) EVH 4x12 Road Case
Miscellaneous
22) Gigrig G3
23) I love Pedals
24) Feel free to let me know what other gear you have for trade too.
---------------------------------------------
---------------------------------------------
Here are the specs:
Three amps in a single chassis.
Three completely different all-tube amplifiers in one housing. The TriAmp's unprecedented circuitry enabled us to integrate three individual tube amps offering ultimate tonal quality.
Each of these three amps is a dual-channel amplifier in its own right, giving you a total of SIX UNIQUE BASIC SOUNDS at the touch of a button.
----------------------------------------------------
Master Section Controls:
*** Standby
*** Overall Master Volume
*** Presence
*** Effects Mix
*** MIDI Learn switch
*** Effects Loop On/Off Switch
----------------------------------------------------
AMP 1: Chunky Clean + Fat Drive Clean
Controls: Master Volume (Channel B only) – Treble – Mid – Bass – Gain A – Gain B – Tight Switch (Shared with Amp 2)
Channel A Switch – Channel B Switch
Amp 1 is dedicated to delivering classic clean and crunch sounds.
CHANNEL A: American - has a warm, round tone and when overdriven, delivers smooth, broad-band distortion. Operates like older amps without a master volume.
CHANNEL B: has more of an edge to it and will bring out the harmonics in the upper midrange even at lower GAIN settings - ideal for single-note picking and lively arpeggios. Both channels will of course generate a wealth of pristine clean tones at the appropriate GAIN settings.
Note how the amp reacts to your attack when you activate the TIGHT button - response become tighter, more direct and more percussive.
----------------------------------------------------
AMP 2: Classic British Drive
Controls: Master Volume – Treble – Mid – Bass – Gain A – Gain B – Tight Switch (Shared with Amp 1)
Channel A Switch – Channel B Switch
What will strike you about the second amp is its extraordinary dynamics at every level of distortion. This responsiveness opens up enormous expressive possibilities by reacting sensitively to the subtleties and nuances of different playing styles. This amp conveys every detail of your attack - this is as honest as an amp gets.
CHANNEL A: has a wide-open, British tone with a rough and ready character that punches through when you are playing rhythm. Very Capable of the tones associated with the 80’s
CHANNEL B: The tone in gets fatter as the level of distortion goes up; as you play with greater sustain, the more this amp begins to sing. Think old Plexi.
Note how the amp reacts to your attack when you activate the TIGHT button - response become tighter, more direct and more percussive.
-------------------------------------------------
AMP 3: Modern High Gain
Controls: Master Volume – Treble – Mid – Bass – Gain A – Gain B
Channel A Switch – Channel B Switch
Truth in distortion' is a major consideration when buying an amp. An absolute prerequisite for any top amp is that it preserves the guitar's own characteristic sound - rather than making all guitars sound more or less alike - and the tone must remain well defined no matter how high you set the gain. Only a handful of amps make the grade. and
AMP 3 is certainly a leading member of this elite club.
CHANNEL A: The lead sound is honest and direct - it responds dynamically to your attack and the volume pot changes of your guitar. CHANNEL A is great for aggressive soloing and can deliver plenty of power-chord muscle without becoming mushy.
CHANNEL B delivers virtually infinite high-gain singing sustain with loads of punchy mids for cutting leads. Very much an American Metal sound.
----------------------------------------------------
Rear Controls and Jacks
*** 4 Speaker Outputs with the following abilities:
1x 4 ohms
2 x 8 Ohms
1 x 8 Ohms
1 x 16 Ohms
2 x 16 Ohms
*** Red Box DI Out (XLR)
*** Effects Loop Send and Return with minus 10 db switch
*** Reverb Control
*** Footswitch Connector
*** Power Cable Connector
*** Power Switch
Hughes And Kettner Triamp MK1 with footswitch for sale in excellent condition. -
I am just outside of Philadelphia and would prefer to deal with someone semi-local but shipping is available too at buyers expense. If you are local, you are welcome to come pick it up or I am willing to drive 1hour to meet.
I would rate it at a 9/10. It was just serviced by local amp legend Jim Walton. If you have been in the area for a while, you probably know of him. It has less than 10 minutes playing time since it was serviced.
This is a highly rated and coveted amp.
* I have owned this amp for about 15 years.
* Never gigged it.
* Studio kept. Non-smoking, Pet free environment.
I also have a very nice amp cover for it for $40
I accept Cash & Paypal F&F at time of pickup and I would consider trades for the following (plus or minus cash depending).
---------------------------------------------
---------------------------------------------
TRADE WANTS( +/- Cash or Trade if needed)
Amp Heads:
1) Marshall Vintage Modern 2266 50-Watt head.
2) Marshall Vintage Modern 2266C 50-Watt combo.
3) Marshall JVM410H head
4) EVH 100 watt EL34S head
5) EVH 100 watt 6L6 Stealth Head
Cabinets:
6) Marshall Vintage Modern 425B Straight cab:
7) Marshall Mode Four Straight Cab (280 Watt version)
8) EVH 5150 Cab that matches the EL34 head
Guitars:
9) Gibson "The Paul" with T-Top Pickups - (!978-1982. Not the Firebrand version)
10 Charvel Model 6 with a Kahler
11) 80's Jackson (with a Kahler or Floyd Rose)
12) Jackson with 3 toggle switches for pickup selection (with a Kahler or Floyd Rose).
13) Early/Mid 80's Ibanez Destroyer 2 II - DT-555 BK - Black
14) 1964 Gibson Melody Maker (prefer one that needs work as I will be heavily customizing it)
15) Gibson Les Paul's
16) High End 7 or 8 String Electric
17) Some Rickenbackers
Road Cases:
18) EVH 100-Watt Head Road Case
19) Marshall Head Road Case
20) Marshall 4x12 Road Case
21) EVH 4x12 Road Case
Miscellaneous
22) Gigrig G3
23) I love Pedals
24) Feel free to let me know what other gear you have for trade too.
---------------------------------------------
---------------------------------------------
Here are the specs:
Three amps in a single chassis.
Three completely different all-tube amplifiers in one housing. The TriAmp's unprecedented circuitry enabled us to integrate three individual tube amps offering ultimate tonal quality.
Each of these three amps is a dual-channel amplifier in its own right, giving you a total of SIX UNIQUE BASIC SOUNDS at the touch of a button.
----------------------------------------------------
Master Section Controls:
*** Standby
*** Overall Master Volume
*** Presence
*** Effects Mix
*** MIDI Learn switch
*** Effects Loop On/Off Switch
----------------------------------------------------
AMP 1: Chunky Clean + Fat Drive Clean
Controls: Master Volume (Channel B only) – Treble – Mid – Bass – Gain A – Gain B – Tight Switch (Shared with Amp 2)
Channel A Switch – Channel B Switch
Amp 1 is dedicated to delivering classic clean and crunch sounds.
CHANNEL A: American - has a warm, round tone and when overdriven, delivers smooth, broad-band distortion. Operates like older amps without a master volume.
CHANNEL B: has more of an edge to it and will bring out the harmonics in the upper midrange even at lower GAIN settings - ideal for single-note picking and lively arpeggios. Both channels will of course generate a wealth of pristine clean tones at the appropriate GAIN settings.
Note how the amp reacts to your attack when you activate the TIGHT button - response become tighter, more direct and more percussive.
----------------------------------------------------
AMP 2: Classic British Drive
Controls: Master Volume – Treble – Mid – Bass – Gain A – Gain B – Tight Switch (Shared with Amp 1)
Channel A Switch – Channel B Switch
What will strike you about the second amp is its extraordinary dynamics at every level of distortion. This responsiveness opens up enormous expressive possibilities by reacting sensitively to the subtleties and nuances of different playing styles. This amp conveys every detail of your attack - this is as honest as an amp gets.
CHANNEL A: has a wide-open, British tone with a rough and ready character that punches through when you are playing rhythm. Very Capable of the tones associated with the 80’s
CHANNEL B: The tone in gets fatter as the level of distortion goes up; as you play with greater sustain, the more this amp begins to sing. Think old Plexi.
Note how the amp reacts to your attack when you activate the TIGHT button - response become tighter, more direct and more percussive.
-------------------------------------------------
AMP 3: Modern High Gain
Controls: Master Volume – Treble – Mid – Bass – Gain A – Gain B
Channel A Switch – Channel B Switch
Truth in distortion' is a major consideration when buying an amp. An absolute prerequisite for any top amp is that it preserves the guitar's own characteristic sound - rather than making all guitars sound more or less alike - and the tone must remain well defined no matter how high you set the gain. Only a handful of amps make the grade. and
AMP 3 is certainly a leading member of this elite club.
CHANNEL A: The lead sound is honest and direct - it responds dynamically to your attack and the volume pot changes of your guitar. CHANNEL A is great for aggressive soloing and can deliver plenty of power-chord muscle without becoming mushy.
CHANNEL B delivers virtually infinite high-gain singing sustain with loads of punchy mids for cutting leads. Very much an American Metal sound.
----------------------------------------------------
Rear Controls and Jacks
*** 4 Speaker Outputs with the following abilities:
1x 4 ohms
2 x 8 Ohms
1 x 8 Ohms
1 x 16 Ohms
2 x 16 Ohms
*** Red Box DI Out (XLR)
*** Effects Loop Send and Return with minus 10 db switch
*** Reverb Control
*** Footswitch Connector
*** Power Cable Connector
*** Power Switch
Attachments
Last edited:
