Took up a lot of space and made me have to configure OD’s in a weird fashion. Couldn’t really get a delay that I really liked. Minor stuff.
Fair enough! I sort of went the other way- replaced a bunch of pedals with the Stomp due to the small size.
4 cable method with a pedal snake. Everything on the bottom is in the loop, mini wah and the top pedals hit the front end. Both rows are run in order from right to left.
I do the same but with the HX FX. it's my Swiss Army knife. I put it in the loop and use it for all my delays, reverbs, tremolo, chorus, and vibe stuff.
That’s exactly what I do. It goes on my mic stand during shows. We always hire production and I got tired of forgetting the store bought pick holders on mic stands after a gig. Tape is more economical in the long run.Is that tape/picks something you stick on the side of your guitar for gigs/rehearse and then put it on the wah between gigs?
At first I thought, what a weird place to put your picks.
I use the stuff on the bottom the most. The EQ is in the loop and it’s used as my solo boost. The OD’s are on most of the night. Smallbox gets the Archer, but if I use my JCM 800 the Shiba Reloaded gets the bulk of the work. Fish Factory is there in case I feel like something different. I use the Drop only on Motley Crue and Slaughter.
Cool. So it all works out then.
Very nice. I still have a Digitech Polara on my board also. And I am using a Friedman Small Box head too.
We are tuned 1/2 step down so we use the drop pedal to take us the additional 1/2 step down so that the Motley Crue and Slaughter tunes we do are in the same tuning as on the albums, which would be D. Even the bassist uses one and they track very well. Not sure how they’d work going any lower but for our application they work great. Playing the Crue stuff in the right tuning sounds huge.