C
chumbucket
Well-known member
In addition to my previous post. Since getting the 78/79 Brown sound package and spending some time with it I find the 300-350ms slapback delay with 0 repeats, low mix like 20-25% and correct reverb settings has even more to do with the recorded tones as well as all those Eq's and preamps that gave Ed's amp so much bite, crispness an aggression on VH1. I highly recommend the 78/79 package if you are into all this VH1 stuff, it's alot of fun to mess with and you will find without the correct delay and reverb the VH1 album/recorded tone vanishes.
As noted above the best anyone is going to do is get close to his Live amp tones and then go down the recording rabbit hole like Gaustad did with all the Eq's and preamps, delays, reverbs or use the UA OX box like alot of people do. Trying to get that exact recorded tone out of a live amp is ludicrous when the room mics clearly show the amp was warmer and had all the plexi characteristics underlying what is heard on the processed mastered tones put to tape for VH1.
Van Halen - Live in St. Paul, MN (April 13th, 1980) - Super 8 Film
Hey @harddriver, have you tried the new 80/81 pack yet? It's very cool too. There's some raw amps in there now for using your own IR or a power amp/cab setup.
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