Complete Overhaul

  • Thread starter Thread starter PDC
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So, I have been playing for 40 years. (Yes, I am old.) I did the G.I.T. thing in '89 and had what I thought were 'respectable' chops. At that time, I arrived as a complete 'economy' picker: always using downstrokes moving from thicker to thinner strings and always using upstrokes moving from thinner to thicker strings. I could keep up with the Paul Gilbert / Racer-X 3-Note Per String sequences by relying on 'inside' string crossing - and I used mini 'economy' sweeps where strict alternate pickers would have to do the 'outside' string cross. I could fake it pretty well 3 notes per string - but really hit the wall with those blistering 2-note per string Zakk Wylde Pentatonics. I just could never replicate the speed and the percussion of true alternate picking with circular economy picking between 2 strings.

Over the last few months, my technique has steadily declined, despite playing practically every evening with no amp in front of the TV for 60-90 minutes as I always have. For some reason, everything feels awkward, clunky and slow. WTF!!! Well, I'm not playing out these days and I got nothin' but time, so I have decided to dig in and learn proper strict alternate picking.

Today was the first day. I feel like a rote beginner all over again! Even though it feels a little clumsy and slow, I can already tell there is a real advantage to strict alternate picking. I was always SO afraid of making this big a change in my technique when I was young and playing out. I didn't think I could ever afford the extended 'down time' of starting essentially from scratch. But if this leads where I think its leading, I'm gonna have a good laugh at myself and wish I would have tackled this long, long ago.
How’s the jazz studies going?
 
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How’s the jazz studies going?
I pulled a few licks off of the old Larry Carlton Instructional vid from yesteryear to try to incorporate a few more chromatic passing notes into my playing. Gotta start somewhere, right??? It is interesting how a few chromatic notes to link 2 more strictly diatonic or pentatonic phrases can really make simple licks sound much more musically 'mature' for lack of a better descriptor.
 
I pulled a few licks off of the old Larry Carlton Instructional vid from yesteryear to try to incorporate a few more chromatic passing notes into my playing. Gotta start somewhere, right??? It is interesting how a few chromatic notes to link 2 more strictly diatonic or pentatonic phrases can really make simple licks sound much more musically 'mature' for lack of a better descriptor.
Do you know how the each degree of the major scale functions and the harmonized chords that are derived thereof?
 
Do you know how the each degree of the major scale functions and the harmonized chords that are derived thereof?
I 'do' to the extent I passed my theory test with an 'A' during my tenure at G.I.T. (35 years ago...) as far as instinctive or intuitive application, well, that's another story!!! The transition from cognitive knowledge to functional knowledge is ongoing.
 
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