steve_k":1ckmxt1c said:
ericb":1ckmxt1c said:
steve_k":1ckmxt1c said:
My argument more than likely IS pretty stupid, but how do you explain how great some of the Splawn clips all over the net sound , if the amp is as bad as you say? I'll admit I do NOT have a valid opinion as a Splawn is 1 amp I have not played or owned, but I don't think I'm getting faked out by how good the clips sound. . haa.. . I surely agree the Cali is f'in phenomenal though . The notes almost play themselves on the Cali . My Morin when it was in good shape was sortof like that
Eric
Eric,
I don't think I know you. But, I don't think anywhere I said the QR or anything by Scott Splawn sounded bad. Bad is relative though. Bad to me may be good for you or the other way around. The OP was asking about a comparison of the QR to a Cali mod and there is no comparison and there is really nothing similar in either amp, so it is all a matter of taste and what you want out of an amp. To me, the QR is decent enough at what it was designed to be...a 3 channel amp covering the basic Marshall tones with a few modern bells and whistles to capture Plexi-JMP-JCM in one box at a fair price. It won't do what a Cali mod is capable of though and what it was meant to be. As far as clips go, there are some good ones out there. But, you got to watch clips, the way they are recorded and processed or FX added and not disclosed. This holds true for any amp or clip. I don't like the QR too much and I didn't like the Nitro either. But, that is my opinion.
Steve
You don't know me at all . I live in Vermont, am an old rocker , single parent for now. .. haha, at 51 , and have played in 2 all -original bands, and have played in 34 years of cover bands. I have 2 gigging bands currently and am an ampaholic .. I own about 30 amps and about 30 guitars and a shitload of fx. I've loved gear since the late 70's where I used to take roadtrips to the 1st Daddy's Junky Music stores, Lark St Music and Drome Sound etc all over New England and New York , and to Manny's , Sam Ash , Rudy's etc on Lark St in NYC. . In the mid 80's I worked at Time Guitars with Paul Languedoc who you might've heard of! IF not, sorry! lol. . .. Anyway , then came the internet years later and I bought and sold boatloads of boutiquey and rare gear. . Now I have no time to sell , so I 've just enjoyed my gear. I'm 1 of the only guitarists in Vermont who tends to show up at every gig with a different setup.. I can get "MY SOUND" out of almost any decent setup , and I'm very very experienced at that. . HOWEVER, as only anyone who has experience learns, each amp is a bit different, and you have to match your pedals to your amps.. I love hard rock , alt rock ,metal , punk , new wave, hippy jam bands like Umphrey's Mcgee,etc and see concerts a few times a month. . Last concert was RED FANG, the one b4, the ARISTOCRATS with Guthrie Govan and next one , ACOUSTIC COrey Taylor in Boston! (now you know me a little more!!!!)
Anyway you said you didn't say the Splawn sucked but you equated it with a door stop . .Huh. . . Well , to me that means someone said it sucked. Once again , I might've misinterpreted, BUT I know based on the clips I'd never say 'door stop ' for it at all!!!!! Also once again , my 1982 Cali /jcm800-bass amp is about the easiest playing amp I could imagine at any volume, and just plain AWESOME amp , but I don't have the solo volume boost -thing on it , and I tend to need that for my gigs.
I'm just having fun with this ,but figured I'd introduce myself . haha. . I've been on the internet guitar forums since the newsgroups and the original forums since about 1993!

Rock on!
Eric