Looking for suitable rigs

M

Merllin

New member
Hello!
Greetings from Spain!
I'm looking for help finding profiles that fit the sound I'm looking for. I wouldn't mind paid profiles if you know of something similar to what I'm looking for. I've tried many profiles, even creating some rigs myself, but in the end, I'm not entirely satisfied. I would need only three banks.

Bank 1:

Switch 1 - Classic, clean, full-bodied Fender sound for rhythm.
Switch 2 - Based on Switch 1, a bit of oomph for phrasing and riffing.
Switch 3 - Solo scene, with a volume boost, some drive, good sustain, and delay and reverb tuned for lead ambiance.
As a reference for this rig, I would base my work on Spanish bands like Los Secretos and Fito y Fitipaldis.

Bank 2:

Switch 1 - Classic Fender Edge Breakup rock sound, also full-bodied, for rhythm.
Switch 2 - Based on Switch 1, but with a little bit of Drive, for powerful riffs that cut through the mix.
Switch 3 - A scene for powerful solos, with more Drive, good sustain, and Delay and Reverb tuned to give a lead vibe.
As a reference for this rig, I would base my work on Spanish bands like "Zigarros," "Platero y Tu," and "Leiva."

And finally, Bank 3:

Switch 1 - Typical Slash-style hi-gain sound. Switch 2 - 90s sound, like Richie Sambora's Slippery When Wet era.
Switch 3 - A sound for powerful solos.

I hope someone can help me with this, at least direct me to what free or paid rigs I can find to do the kind of setup I'm talking about. My main problem is that I can't get full-bodied sounds that cut well in the mix, and I end up lost in a thousand adjustments that end up frustrating me. I'd even thought about finding someone who can configure presets on demand...

Thank you very much for the responses.
Best regards!
 
it sounds like you are asking for a modeler (paid profiles) that cuts through the mix, no?
 
Hello!
Greetings from Spain!
I'm looking for help finding profiles that fit the sound I'm looking for. I wouldn't mind paid profiles if you know of something similar to what I'm looking for. I've tried many profiles, even creating some rigs myself, but in the end, I'm not entirely satisfied. I would need only three banks.

Bank 1:

Switch 1 - Classic, clean, full-bodied Fender sound for rhythm.
Switch 2 - Based on Switch 1, a bit of oomph for phrasing and riffing.
Switch 3 - Solo scene, with a volume boost, some drive, good sustain, and delay and reverb tuned for lead ambiance.
As a reference for this rig, I would base my work on Spanish bands like Los Secretos and Fito y Fitipaldis.

Bank 2:

Switch 1 - Classic Fender Edge Breakup rock sound, also full-bodied, for rhythm.
Switch 2 - Based on Switch 1, but with a little bit of Drive, for powerful riffs that cut through the mix.
Switch 3 - A scene for powerful solos, with more Drive, good sustain, and Delay and Reverb tuned to give a lead vibe.
As a reference for this rig, I would base my work on Spanish bands like "Zigarros," "Platero y Tu," and "Leiva."

And finally, Bank 3:

Switch 1 - Typical Slash-style hi-gain sound. Switch 2 - 90s sound, like Richie Sambora's Slippery When Wet era.
Switch 3 - A sound for powerful solos.

I hope someone can help me with this, at least direct me to what free or paid rigs I can find to do the kind of setup I'm talking about. My main problem is that I can't get full-bodied sounds that cut well in the mix, and I end up lost in a thousand adjustments that end up frustrating me. I'd even thought about finding someone who can configure presets on demand...

Thank you very much for the responses.
Best regards!
Get a tube amp and blow the doors off your mix.

And, I mean run your modeler through a quality tube power amp. EL34s will cut best IMO.

As far as modelers go? Ask the modeling crowd. I'm a tube snob.
Good luck.
 
Honestly dude, there’s probably better places for this info, you’re just gonna get told play a tube amp here
 
Your use of the word “profile” makes it sound like you have a Kemper. If that’s the case, I highly recommend the Mbritt profiles. There are lots of examples for his tones on his website.
 
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