Dave L
Well-known member
I was definitely not looking for another Marshall-ish amp, but this was so cool I had to jump on it. 3 Monkeys is/was mainly Ossie Ahsen who made a nice name for himself in the Marshall/EVH world with Blockhead amps earlier, and he did a lot of work for Brad Whitford who also is/was a part of 3 Monkeys. Long story short they decided to poke around Whitford´s old actual José-modded Super Lead and came up with this sort of re-engineered version of it. The mod and the tone circuit is the same but it is all integrated from the get-go in a modern top shelf build instead of added onto a Marshall. Sort of what a production José might have been if he had gone the way of Soldano, I suppose.
It has both the typical José mods; the extra 12AX7 for added gain and the clipping master. The hotter bright channel has two volumes/gains in series and you can bring in the regular normal channel in parallel to it too. The master has two modes, normal and pull clip. In the push mode it is more or less a normal pre-PI master volume and when you pull the knob out it moves the master to somewhere earlier in the circuit (maybe between the channel volumes and the tone stack) and adds in the diode clippers. That way it gets pretty squishy and it works best when running the gain a bit lower to add some sag and compression to more of a typical plexi sound.
All in all it is a very nice bridge between the vintage Marshall sounds and the hotter, fatter stuff that came later in the 80s and 90s.
It has both the typical José mods; the extra 12AX7 for added gain and the clipping master. The hotter bright channel has two volumes/gains in series and you can bring in the regular normal channel in parallel to it too. The master has two modes, normal and pull clip. In the push mode it is more or less a normal pre-PI master volume and when you pull the knob out it moves the master to somewhere earlier in the circuit (maybe between the channel volumes and the tone stack) and adds in the diode clippers. That way it gets pretty squishy and it works best when running the gain a bit lower to add some sag and compression to more of a typical plexi sound.
All in all it is a very nice bridge between the vintage Marshall sounds and the hotter, fatter stuff that came later in the 80s and 90s.