NAD: BAD SLO100 & Cab Question

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My first tube amp was 5150 combo back when they first came out. That thing was ridiculous big and was a serious pain to move around. I turned it pretty quick because of that. I didn’t even get a chance to learn how to dial it in right.
 
The infamous Peavey Sherman Tank?



Big and pain to move around is being kind. :ROFLMAO:
Yes! It would’ve been way easier to lug around head and 2x12. Shame too, bc I was young and naive and didn’t really know how to dial in a tube amp yet. I don’t like those Sheffield speakers either. I think 5150s sound best with V30s or Greenbacks. Didn’t know much about speakers at all then. The best amp I had before that was an 80 Laney Linebacker combo.
 
@Mr. Willy

Just googled to remember the cosmetics.

How appropriate that the first picture I find has it parked next to a Hammond Organ.

It's like a display at a "Heaviest Musical Instruments" museum. :ROFLMAO::ROFLMAO::ROFLMAO:

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James Brown stated that after they started with the VTM mashed up with the Resonance/Presence from the Peavey power amp line, I believe it was Hartley (Peavey) that recommended they tweak from there by using the amps they knew EVH had used around that time, like the SLO and Super Lead. He noted that he got an SLO and checked it over, they copped some gain staging from it, hated the loop (who doesn’t), etc.

What I was getting at was based on his story, all of the internet conjecture around EVH and SLOs and EVH wanting to copy it or base the 5150 on it and etc...seems way off base. What EVH actually wanted was a Jose modded amp of his put into production, but it was never provided to Peavey. He gave them nothing to work with, which is why they started with the VTM and worked from there. They started with the VTM because it was the Peavey that EVH tried and liked best.

I was noting the interesting aspect of EVH wanting to produce a Jose modded amp, never providing the original to work from, and then subsequently having the 5150 start life as a VTM, which is - funny enough - based on a Jose Marshall :D It came full circle.

James Brown acknowledged that he bought an SLO and they copped a few things from it, but stated that was of their own accord trying to figure out what EVH would like without guidance, not because it’s what EVH said he wanted, as what he wanted and approached all the companies about was something different.

James Brown seems like a solid guy, and his story could be easily refuted by any number of amp companies that EVH approached at that time with his request. Don’t see what he would stand to gain by making up false stories 30 years later that could easily be disputed about a product and company he’s long since walked away from. Possible? Sure, but wouldn’t make much sense to me.
Agree, it would make total sense that Ed would like a modded Marshall type amp...since he had 'that' tone initially anyway that peeps would try to copy for yrs with the new modded Marshall scene exploding in the late 70s on up..with Jose, Lee Jackson etc. Either way it did end up as a pretty close SLO copy in the end prior to production. I have heard JB is very cool and very approachable. Btw I never found the OG 5150 to be a dark amp? They were backline at a few places we played about 20 yrs ago...cut just fine to me. Noisy sumbitch though.
 
@Mr. Willy

Just googled to remember the cosmetics.

How appropriate that the first picture I find has it parked next to a Hammond Organ.

It's like a display at a "Heaviest Musical Instruments" museum. :ROFLMAO::ROFLMAO::ROFLMAO:

View attachment 79223
Haha! Yeah that thing was stupid to lug around. It was a little embarrassing, too, at 16 trying pull that thing out of the back seat of my ‘92 Camaro.
 
Haha! Yeah that thing was stupid to lug around. It was a little embarrassing, too, at 16 trying pull that thing out of the back seat of my ‘92 Camaro.
I just sold the 6505 version of this combo. I'm usually not shy about lugging 412 cabs and heavy amp heads around, but I let the new owner move it this time ?
 
I just sold the 6505 version of this combo. I'm usually not shy about lugging 412 cabs and heavy amp heads around, but I let the new owner move it this time ?
You’ll get to a point we’re you’re sick of lugging 4x12 around. Especially if you gig a lot. When I was gigging, my goal was to get rig down to as small as possible.
 
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You’ll get to a point we’re you’re sick of lugging 4x12 around. Especially if you gig a lot. When I was giving, my goal was to get rig down to as small as possible.
Back problems Bro.
Been hit by cars cycling & motorcycles multiple times and horseback injury as a kid.
I still love 4x12's but carrying them is iffy, this coming from the guy who could haul a Marshall stack up 3 flights of stairs for 40 years.
I was gigging last year & bent down to my pedalboard w/a Les Paul and my back started to go out.
In my mind i said "not here, not now".
Was at that point i realized i didn't have a backup plan for that issue.
Ive pretty much stopped playing as 3 bands last year all crapped out due to covid.
FWIW i had a silverface twin 135 watts ultralinear weighed 90 pounds.
Best clean tone i ever had but couldn't carry the damn thing.
 
I just sold the 6505 version of this combo. I'm usually not shy about lugging 412 cabs and heavy amp heads around, but I let the new owner move it this time ?

I had a 5150 combo way back when. I actually shipped the damn thing when I sold it on eBay. Only time I ever used UPS pack and ship…i thought for sure it would get destroyed so I wanted it to be their fault. Lol It only cost about $150 which I thought was high at the time. Now the same service would probably be $500!
 
Some interesting info --
Ed checked out and liked the VTM. When the Peavey people arrived at the 5150 studios, Ed was running the SLO preamp into his Marshall's power section. He told the Peavey people "this is what you have to beat." The SLO, Ed's Marshall, and the VTM went into the 5150. Take a look if you want at Peavey's side of the 5150 story, circa 1996:

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