Just an update with respect to my progress with the A2 and the active wedges (CLR).
Last couple weeks I've been clocking a lot of time with these and the Axe. It's been a definite learning curve but not so much with the wedges, just more the axe and its settings - which go ridiculously deep. Bottom line though? As several of you know, I was bent on getting that amp-in-room feel similar to the 3D bounce I crave and love from, say, my Diezels et al. I haven't achieved that effect with the Diezel patches per se, but definitely getting there with a number of different amps/presets and some focused tweaking. I am very pleased. I'll also go out on a limb here and say that knowing where to go and want to change, I'm sure I can get this ever elusive in-the-room-feel with a lot of the stock amps in the Axe.
I think the CLRs have a lot to do with this too. I lucked out, being my first time foray into FRFR. General consensus over at FAS is that these monitors have the amp-in-room Kung Fu; and I can't disagree. Recto, XTC, Cornford, Trainwreck, Silver Jubilee, Badger, Shiva, Orange. These are the amps I've managed to conjure a direct in yer face tone of a solid head on cab in the room. For the record, I've been mixing standard cabs w/ varying mics to flavour but ALWAYS with a far-field secondary IR (sometimes just the FF IR).
That's my update for now. Can't tell you how cool it is to actually 'get there' with this set up, and I know there's a long way down the rabbit hole to go should I wish. But right now, it's giving me what I want. Very cool!!
Peace Cats,
Mojo