skoora
Well-known member
Rhythm tone is on point. Hate the lead tone though.I think Tony's post ozzy tones are really underrated in general
Rhythm tone is on point. Hate the lead tone though.I think Tony's post ozzy tones are really underrated in general
Rhythm tone is on point. Hate the lead tone though.
Tony's tones on the Heaven and Hell album are just sick...
I've never been a fan of his leadsTone or playing
But they call him the riffmaster general, not the shredmaster general lol
And as a result he has spawned thousands of stoner sludge neck beards to play their own lame pentatonic riffs with orgasm face.THIS ..he is such an important piece of hard rock and heavy metal history and jas written some awesome music and incredible crushing rythms bit oddly enough, his lead playing has always sucked. It is such a strange combination to have in a player. The leads are always anti climactic
Yeah me too. Iommi's leads for metal are what Gilmour's are for rock. His solos are not these super hard solos but they speak.I dig his leads a lot. Just not the tone he’s using in this song.
I definitely don't care what you think. Lol, just kidding. I know what you mean. Everything is thick and over the top gain wise.I thought the track was meh. Jorn is awesome though and did what he could with it. Personally, I wish Tony would go back to writing like he did in the early 70s. He would use some different sounds and dynamics. These days he is all about metal. I know no one cares what I think etc.
I don't know if it counts as "post-Ozzy" but I think 13 is a legit great metal album with a great tone.I think Tony's post ozzy tones are really underrated in general
I don't know if it counts as "post-Ozzy" but I think 13 is a legit great metal album with a great tone.
And it makes me want to try a Laney. I've only seen his sig Laney once and it was at a guitar center and when I went to try it someone had stolen the tubes so I never got to know.I just meant that there's a clear tonal delineation from the fuzzed out treble booster supergroup era with ozzy to dio and post dio which are more chuggy tight tones, and people sleep on all the tighter iommi tones
And it makes me want to try a Laney. I've only seen his sig Laney once and it was at a guitar center and when I went to try it someone had stolen the tubes so I never got to know.
Mob Rules is one of his best tones and BS albums for that matter.I just meant that there's a clear tonal delineation from the fuzzed out treble booster supergroup era with ozzy to dio and post dio which are more chuggy tight tones, and people sleep on all the tighter iommi tones