King Loudness":3i4wu3bi said:
Mark Day":3i4wu3bi said:
Wow, there sure are a lot of strong feelings for both sides on all forums. Not what I would of thought at all. To me they both sound great.
Like I said I can easily dial the amp to be more aggressive for the Aldrich's. When I did this test the amp was setup for the Blackouts, which really isn't fair for the Aldrich's but I had no idea what the Aldrich's would sound like before I actually installed them
It sure shows that the saying "Different strokes for different folks." holds true in this case
Mark
Mark,
That makes a lot of sense. The tone being used did seem very much like you were using your Blackout settings. Maybe it's time to dial back the gain and compression and get some killer eighties rock tones going as opposed to the very contemporary sound you've been using...
Maybe this is a poke in fun at the master? Forgive me if so, but for the life of me, I can't name one person who's been able to emulate the vast array of tones from throughout the years and shared them as well as Mark has.
I for one am glad that he's jazzed about chasing tone and sharing with this with those of us, less informed in the intricate ways of the world. My Suhr hosts Aldrich's as well, as I've said before, there's something magical about that combo...maybe John sprinkled pixie dust on it before he ships them out? Shit I dunno...but I do know that Mark has that "Big and Bouncing Buffalo Balls in your face" tone thing happening, no matter what he's playing on.
easy there Don...
Maybe the next step is a blind test? Dial in each pup set to the best his OD100 has to offer...and start a poll and then let us decide. Or, just let him evolve as the current configuration inspires him to make great music...either way...am content.