Preamp tube shields making a difference in tone?

  • Thread starter Thread starter blackba
  • Start date Start date
guitarslinger":3oz5qiia said:
RoccaforteAmps":3oz5qiia said:
guitarslinger":3oz5qiia said:
idk, guys. It depends on the colour of the insulation of the wiring. The blue has a lower concentration of valence electrons in the molecules due to the colour composition. It changes the feel in a big way for me, therefore, I can't really do an apples to oranges test with the shields on or off to give a preference either way.



If you change to wood knobs you can :D

Well, due to the inherent resonant anomalies occurring in the burled knobs I use, I still have to try compensating for shortfalls in micro freq band deficiencies and abundances through the strategic use of different wire colours, and different painting schemes on the chassis. Not to mention, the humidity levels aren't staying within my .07% tolerance in my climate controlled amplifier space. I'm REALLY bummed out about this. I still can't say whether I enjoy the sound of the tube shields, or if it a placebo. However, I'm developed a way for capturing the placebo effect. I'm going to patent this emotional/physiological quantifier meter. Wait for Summer Namm. :thumbsup:





It really boils down to de-differentiate emotive milled-from-aluminum.
With transitional transparencies, undefined stratify integrated resolution
harness at real-time SP-DIF assign. They create throaty extensibilities.
Regenerate fetching palpability, and matrix back-end spaciounesss bifurcate immutable drama and pathos. Inculcate revolutionary textured white noise, inculcates homeric spaciounesss. The seize temporal, and general equilibrium engage temporal rake angles and synergize, hybridize, unrefined sonority.
:D
 
RoccaforteAmps":34f72z8v said:
guitarslinger":34f72z8v said:
RoccaforteAmps":34f72z8v said:
guitarslinger":34f72z8v said:
idk, guys. It depends on the colour of the insulation of the wiring. The blue has a lower concentration of valence electrons in the molecules due to the colour composition. It changes the feel in a big way for me, therefore, I can't really do an apples to oranges test with the shields on or off to give a preference either way.



If you change to wood knobs you can :D

Well, due to the inherent resonant anomalies occurring in the burled knobs I use, I still have to try compensating for shortfalls in micro freq band deficiencies and abundances through the strategic use of different wire colours, and different painting schemes on the chassis. Not to mention, the humidity levels aren't staying within my .07% tolerance in my climate controlled amplifier space. I'm REALLY bummed out about this. I still can't say whether I enjoy the sound of the tube shields, or if it a placebo. However, I'm developed a way for capturing the placebo effect. I'm going to patent this emotional/physiological quantifier meter. Wait for Summer Namm. :thumbsup:





It really boils down to de-differentiate emotive milled-from-aluminum.
With transitional transparencies, undefined stratify integrated resolution
harness at real-time SP-DIF assign. They create throaty extensibilities.
Regenerate fetching palpability, and matrix back-end spaciounesss bifurcate immutable drama and pathos. Inculcate revolutionary textured white noise, inculcates homeric spaciounesss. The seize temporal, and general equilibrium engage temporal rake angles and synergize, hybridize, unrefined sonority.
:D

Finally someone can explain it in terms I can understand :thumbsup:
 
cyndicate":1gut9kze said:
RoccaforteAmps":1gut9kze said:
guitarslinger":1gut9kze said:
RoccaforteAmps":1gut9kze said:
guitarslinger":1gut9kze said:
idk, guys. It depends on the colour of the insulation of the wiring. The blue has a lower concentration of valence electrons in the molecules due to the colour composition. It changes the feel in a big way for me, therefore, I can't really do an apples to oranges test with the shields on or off to give a preference either way.



If you change to wood knobs you can :D

Well, due to the inherent resonant anomalies occurring in the burled knobs I use, I still have to try compensating for shortfalls in micro freq band deficiencies and abundances through the strategic use of different wire colours, and different painting schemes on the chassis. Not to mention, the humidity levels aren't staying within my .07% tolerance in my climate controlled amplifier space. I'm REALLY bummed out about this. I still can't say whether I enjoy the sound of the tube shields, or if it a placebo. However, I'm developed a way for capturing the placebo effect. I'm going to patent this emotional/physiological quantifier meter. Wait for Summer Namm. :thumbsup:





It really boils down to de-differentiate emotive milled-from-aluminum.
With transitional transparencies, undefined stratify integrated resolution
harness at real-time SP-DIF assign. They create throaty extensibilities.
Regenerate fetching palpability, and matrix back-end spaciounesss bifurcate immutable drama and pathos. Inculcate revolutionary textured white noise, inculcates homeric spaciounesss. The seize temporal, and general equilibrium engage temporal rake angles and synergize, hybridize, unrefined sonority.
:D

Finally someone can explain it in terms I can understand :thumbsup:



I'm dizzy now
 
danyeo":3ko1ng0p said:
When i saw the thread title i knew the douchebagerry taint of TGP was involved. :lol: :LOL:

Strap locks, preamp tube shields. What's next? If i retolex my head in Kashmir am i going to get better mids? :lol: :LOL:

Well... it'll REALLY help you nailing that ELUSIVE Jimmy Page tone :lol: :LOL:
 
psychodave":3vtpl6df said:
They make a pretty significant difference. They also change the feel of the amp as well. :thumbsup:

Yup... We tested this once... didn't we?
 
Vrad":79w3tue3 said:
psychodave":79w3tue3 said:
They make a pretty significant difference. They also change the feel of the amp as well. :thumbsup:

Yup... We tested this once... didn't we?

yep, when we were putting the KT77s in my amp
 
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