jasonP":3fn8cunw said:
glpg80":3fn8cunw said:
from what i recall (and in my opinion) there are no different revisions or component changes on any SLO soldano that is currently in production.
it is also common notice that alot of the techniques the SLO utilizes are out-of-style and/or outdated in engineering. non-of-them utilize any changes and can be blueprinted with the plethora of schematics floating around on the internet.
other than the common fact the filter caps drift in value over time (just like any other amplifier) a SLO from 1989 will be made the same way as a SLO made in 2009 and sound the same minus a few small differences because of the way caps are physically made.
the only difference is the rarety and the stimga of owning an older model. i have only seen 1 old SLO go for sale, and it was here on RT.
Can you name all the outdated out of style techniques that the SLO utilizes? Since cloning it would be interesting seeing if some of those changes would effect sound.
depends on if you want the signature SLO sound or not. some of it has to deal with it.
examples are the effects loop it uses - just a serial in/out on the grids. get dust in those jacks and your tone will suffer. update the effects loop to be true bypass and tube buffered with serial/parallel would be nice.
the channel design is purposely designed to be 2 channels that are 180 degrees out of phase with one another. even though the lead channel is selected, the clean channel still exists and is still being played through on the lead channel.
split the channels correctly and use your choise of optocouplers or HQ relay's with grid supressing/quieting circuitry like fender uses on the 5150 III or what egnater uses on their amplifiers, and the amplifer would be up to date. the quiet grid suppressing circuitry is optional, but does control noise.
some tubes have no filament use - and his design is based on biasing the transistor outside of clipping and using it as a class C non-linear device. DC filaments for tubes using AC right now. i wont go off naming the ones i like - its not a big deal.
create individual bias points and/or self bias of each individual tube.
i can go on, and on, and on, and on. i say what i mean because half of this was not used in the time the SLO was designed. someone who could update it without changing the tone/character would improve on the SLO design - but alot of the one-off idea's like the phase relationship do add the small character to the amplifier and might have been done intentionally - wont know unless someone asks mark personally. the guys a genious in his design though. to say that it is not well engineered like it is - is stupid. its so perfectly engineered to be purposly simple that mark has not needed to update it - or doesnt want to because of the tone changes those changes could make.
there are more changes in the design that i would use for the SLO. thats the stuff i would do at least. component wise he has always used the best, and thats the whole idea. but those are small ideas that the amplifier would benefit from i believe.