
Shawn Lutz
New member
Chubtone":33kz51jv said:I don't like Gibson's for articulate, intricate sounding lines or riffs. To me they are a big, burly, wall of sound sort of thing. They are unbeatable, for big, power chord type riffs or big notes on the lower strings sort of riffs. They also sound cool for legato-y, fat, bendy, sustainy lead lines.
I think a Les Paul is Shaquille O'Neal and a strat is a willowy, whispy, touch 3 point shooter. they are both going to get you 30 points a game (in their prime) they are just going to do it in different ways.
Now a super strat? That's Kobe Bryant. It'll pop from the outside with nothing but net and then throw it down in your face the next play.
I think I know where your going with that, especially on the rhythm side of things but I don't completely agree that articulate on more technically challenging runs are no good on a LP. Al DiMeola used a LP back in the day doing his intricate stuff on an LPC with creme DiMarzios. I've been a super strat guy my whole life. I recently got a LP Trad+. I can do exactly the same stuff on a LP as I do my strats on the Lester.
For open note and chordal stuff I actually think the TOM on the LP is better that my Floyded super strats.