Beyond Black
Well-known member
Also I’ve really been diggin lower output pickups lately, which would likely really jive with vintage nicely.Boosted it can be just as useful as modern![]()
Also I’ve really been diggin lower output pickups lately, which would likely really jive with vintage nicely.Boosted it can be just as useful as modern![]()
Awful???We tried each amp in every configuration/channel cloning. We both preferred red/modern boosted with an 808 on each amp. Orange and Orange cloned to Modern or Modern with Orange cloned to Modern didn't do it for either of us—but I can see why people like those. Both Triples (Rev G and Reissue) sounded awful.
I took a look inside all the amps and didn't notice any mods other than the all black G had a bias mod. Ted also replaced the Red channel's gain pot with 1M/4700pF and it's running KT66s now. But I played the amp before that was done and after.
Plenty of players use Orange/Modern for modern tones. Just depends on which channel you like best. Orange/vintage is another story.In order for any rectifier to get modern tones it's the red channel. There shouldn't be any dispute.
I run both channels modern myself so I haven’t even tried the RI cleansPlenty of players use Orange/Modern for modern tones. Just depends on which channel you like best. Orange/vintage is another story.
Cleans? I didn't even know these amps have cleans.I run both channels modern myself so I haven’t even tried the RI cleans
Just did this comparison yesterday. The reissue is very good, has a tighter low end response but that wasn't enough to call it. The two rev G I own sound killer. Made a few changes to one that sound great to my ear. Taking it into the factory for a checkup and other parts. Remember to blend the presence on the unelected channel/it is active at all times and effects to tones as you dial in.
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Awful???
Good God. That's comical. I have one in front of me and it is absofuckinglutley killer. Haha. I can't imagine what in the hell was wrong with either the amp, the way you two set it up, or something else to get you to say the reissue triple sounded awful.
This amp is miles better sounding than either of the 4 Gs I had. A good bit better than the 2 Fs...and yes, even better than the C.
The Red channel is the surprise of the amp though. It's almost as good as the Orange/modern.
I have two dual rev G. One for reference, the other one has had small changes. I took it to the factory just this morning. Once I get it back we'll see where it sits and if I want to do more or not. They said it'll be a few weeks...
I couldn’t make a Triple RI or G sound awful if I tried, and either one properly dialed in could do 90s thrash or metalcore all day long. Admittedly I’d play something tighter and more surgical for modern prog, but I’ll take a Triple G or RI over most anything for most anything heavy.Yeah, both Triples sounded awful. Don't know what else to tell you. And I think some context/perspective is also needed. Ted plays '90s thrash. I play modern prog metal and metalcore. And for the sound either one of us is going for, the red/modern channel is what we gravitated toward. If you love some other setting or something, great.
Maybe there was something wrong with that reissue. After all, JJ tubes can be shit. My reissue went up another level of awesome with a set of C8/9 Chinese throughout.I couldn’t make a Triple RI or G sound awful if I tried, and either one properly dialed in could do 90s thrash or metalcore all day long. Admittedly I’d play something tighter and more surgical for modern prog, but I’ll take a Triple G or RI over most anything for most anything heavy.
Try the presence really high/dimed and running treble to taste. It opens it up and brings the aggression.Every time one of these threads pop up I try to dial in the Orange on my old Rev G Triple, and it just never sounds good to me. Too boxy sounding. Red Modern is THE sound in that amp.
Try the presence really high/dimed and running treble to taste. It opens it up and brings the aggression.
Orange has a killer lower mid growl.
EL34s or 6L6s?I think the lower mids is what I dont like in the Orange. It has too many 400hz - 500hz mids and sounds boxy.
I much prefer the Red with the lower mids scooped more, and more of those upper mids for that 90s style Meshuggah scrape.
I thought someone else on here mentioned Friedman abandoning JJ's for this reason? Or maybe it was a different builder.
Always 6L6.EL34s or 6L6s?
That would make sense that Synergy uses them because I had 1 of those fail as well. Literally 90% of preamp tube failures I've experienced in 32 years of fucking with tube anps have been in the last 3 years and those were all JJ's.I remember something like that but I think it was the JJ EL34's that Friedman stopped using. Pretty sure that the Synergy gear comes with JJ preamp tubes. Would have to take a look again to make sure.