What is your fav EVH solo?

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Agree , there re just too many..one I was listening to though recently is "Light up the Sky" love that breakdown before the aggressive solo and outro vibe. Cool drum break too. But really, anything on the first few albums. Ice cream Man is a classic break as well. Just killer shit up and down those albums. With Hagar it became more about the melody and songs and less about the leads for me. All the tasty lead stuff was DLR era.
 
I've always loved the solos to "So This Is Love?"

Groovy and slinky.
 
Outta Love Again

Short, sweet, to the point and incendiary.

It's one of my favorite VH songs on my favorite VH album. His tone on this song in particular is IT for me. You can really hear how chewy it is in the single-note verse riff. The solo might stick in my head because on my old vinyl copy when I was a kid, the album skipped in the solo right at the 2:00 mark and played it over and over until I had to get up and bump the needle. :)
 
Everything off the first two albums...Light Up The Sky solo is great but Your No Good is also pretty cool.
 
There are tons, but: The 1-2 punch of Everybody Wants Some into Fools is just SO great. The unearthly sounds in EverybodyWantsSome made me wonder what the hell he was doing, and then...knowing he could play damn near ANYthing...he plays such a simple melody line in the actual solo section (a glimpse into his 'play for the song 1st' ethos). And then for anyone wanting technique and/or flash, Fools just KILLS on all levels.

Long Live EVH!
 
Hard one, too many.

So this is love
When its love..
These two always stuck out. Lots of swag
 
Man, so many great riffs, solos, tones, songs. Mean Street, Dance The Night Away, Somebody Get Me A Doctor, On Fire, Women In Love, Romeo Delight, Unchained - all huge for me in one aspect or another.
 
I love the solo in "Judgement Day" with the squeals and trem drops.

I always dug the "Hot for Teacher" solo as well.

Any solo on VH1 smokes as well. As others have mentioned, can never go wrong with "I'm the One". Good stuff!
 
paulyc":1vo1dpf1 said:
Blackmore is a notoriously lazy rhythm player, I don't see a connection, other than that Blackmore was around before Ed, and I'm sure Ed listened to him somewhat.

He still remembered how to play some of those Deep Purple riffs . I'd bet he listened to In Rock a lot

 
lotsalemon":3jmoins4 said:
I've always loved the solos to "So This Is Love?"

Groovy and slinky.

Seconded. ‘So This is Love?’ solo is quintessential EVH at his peak.
 
1981 Fair Warning,
Hear about it Later
So this is Love...

Both amazing
 
Just from the personal connection - Jump. I heard that solo while waiting for my mom to shop in our local TG&Y (no idea if that was a chain store or not) and I remember thinking WTF did I just hear??!? Maybe not in those exact words since I was in Jr. High. But, that 1 solo got me interested in playing guitar. It got me back into music after being really into it when I was really young and then losing interest. Every time I hear that solo I still remember that moment and the years of obsession over electric guitar that followed.
 
Been listening to the entire catalog this weekend - probably like a lot of us.

Have not listened to F.U.C.K. in awhile. Nor Diver Down.

What I remember most now is how much I listened to Women And Children First when I was a kid. That was MY album (cassette) when I was doing my paper route back in the day. 4am on my motocross bike.

ALSO - 'And The Cradle Will Rock' is one of my favorite rock rhythms and there is no rhythm guitar :D

But Eddie was such an innovator.
 
One particular spot has always been one of my favorite parts in any song ever, going back into the final chorus of “Feelin’”, he does this descending bar dive like 3x, each time on a lower note than the previous and when I heard that when I was a kid I just thought it was the coolest fuckin’ thing. Still do.

Obviously, there’s tons of killer solos and riffs, but that one part just took that last chorus to a new level for me.

Spent the whole weekend working on a Balance-era preset in my AxeFX and literally just played “7th Seal” over and over again while getting tanked in my studio. As much as I love Ed and VH, I never really learned any of his parts or songs. Not since I was young, anyway. I know I learned “Ain’t Talkin’ About Love” for a band I was in back in high school, but outside of that and maybe a lick or two here and there, I had more fun just listening.

Some stuff I don’t want to ruin the magic with. I learned early on, learning Floyd tunes, that sometimes a song lost some of the wonder/magic when I’d learn it. I remember learning the middle section of Floyd’s “High Hopes” a few months after I started playing and I went right from being so stoked that I was playing what Gilmour did, to being kind of bummed because Gilmour didn’t seem like the superhuman god I always thought him to be. I think I automatically decided not to learn a lot of Ed’s stuff just for that.
 
Ice Cream Man because no one sounded like that at the time. It still sounds amazing!

A close second is Drop Dead Legs. It's a weird timed lead with a killer groove (that rining ride bell from Alex). The perfect roll your windows down and drive while cranking it.
 
RevDrucifer":2hv22gi7 said:
One particular spot has always been one of my favorite parts in any song ever, going back into the final chorus of “Feelin’”, he does this descending bar dive like 3x, each time on a lower note than the previous and when I heard that when I was a kid I just thought it was the coolest fuckin’ thing. Still do.

Obviously, there’s tons of killer solos and riffs, but that one part just took that last chorus to a new level for me.

Spent the whole weekend working on a Balance-era preset in my AxeFX and literally just played “7th Seal” over and over again while getting tanked in my studio. As much as I love Ed and VH, I never really learned any of his parts or songs. Not since I was young, anyway. I know I learned “Ain’t Talkin’ About Love” for a band I was in back in high school, but outside of that and maybe a lick or two here and there, I had more fun just listening.

Some stuff I don’t want to ruin the magic with. I learned early on, learning Floyd tunes, that sometimes a song lost some of the wonder/magic when I’d learn it. I remember learning the middle section of Floyd’s “High Hopes” a few months after I started playing and I went right from being so stoked that I was playing what Gilmour did, to being kind of bummed because Gilmour didn’t seem like the superhuman god I always thought him to be. I think I automatically decided not to learn a lot of Ed’s stuff just for that.


Balance is one of my favorite albums from VH even though I am more of a DLR era guy. Don't get me wrong as I love the Hagar material too. Balance had their most mature songs and the production is killer. That guitar tone is just amazing on that album. I couldn't agree more about that solo on Feelin.
 
RedPlated":3okhkcyo said:
Top Jimmy.

That solo is untouchable. The beginning with the harmonics and dive-bombs/ pull ups is insane.
This.
 
Piping in again ..., Outta love from second album. Such a cool little lead there and I hear a bit of a minor scale in it for one run which is cool as hell.
 
PhilC":2qmk67lm said:
Just from the personal connection - Jump. I heard that solo while waiting for my mom to shop in our local TG&Y (no idea if that was a chain store or not) and I remember thinking WTF did I just hear??!? Maybe not in those exact words since I was in Jr. High. But, that 1 solo got me interested in playing guitar. It got me back into music after being really into it when I was really young and then losing interest. Every time I hear that solo I still remember that moment and the years of obsession over electric guitar that followed.

TG&Y was a chain store. My grandmother worked at one for years.
 
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