
Red_Label
Active member
robertkoa":1b5hi8iu said:I never heard the young Yngwie- I love how he played then! (Not very aware of his Music- once bought a cassette but it was all Viking Metal- didn't listen to it even all the way through ).
The tone ( even with poor audio on the vid ) is very nice and fluid and warm without too much gain and I like his phrasing MUCH better with longer notes and slower passages mixed in.
Vibrato and bends great- this virtuosity for a 17 year old may be unprecedented on electric guitar, and of course at that time there may have been no one at any age that could play this way.
I have more respect for him after hearing this-
Good thing I didn't hear it back then.
A true Virtuoso of the guitar and a pioneer of the Violin Tone.
Too bad he doesn't play this way now.
Amazing.
When I first started getting into him back in '85, there was NO ONE that I'd ever heard who did it that way for sure. I'd already been into Rhoads, Holdsworth, Takasaki, and Uli Roth. But Yngwie came out and as far as I'm concerned, it was he who invented "shredding" as we came to know it. Other guys had hinted at it before him, but he took it to another level. And despite the labels that his detractors have tried to pin on him since day one, he did it with style, tonefullness, and yes... even SOUL from the very beginning. He was, is, and always will be "over-the-top" to many listeners/players... but the guy is more than just a flash in the pan and has his own thing going. A listen to tunes like "Marching Out" and "Black Star" shows his depth of emotion. Or how about "I Don't Know" or "Hair Trigger" for his command of the blues. I remember being disappointed in SRV for an interview he did for GFPM way back (an "In the listening room" column) where he completely dismissed Marching Out an went on about Buddy Guy instead. Nothing wrong with Buddy Guy, but Marching Out has got plenty of soul in there to my ears as well...