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  • Thread starter Thread starter codyjarret
  • Start date Start date
Killer sounding Amp Michael ....
FWIW I think that if a player has signature that identifies them it is always created by their playing style which is again based in technique.
Tone comes from equipment but signature is from playing style .

I no longer play in a band but a factor I have observed when trying to get my gear to sit in a live band mix is how the other players equipment can influence the way your own gear can sound for example a Mesa boogie and a Marshall next each other never sounded great in a live mix together to my ears. the bass and drums especially drum can wash your sound out even the volumes that they use can be a factor and it can be different every time some days it sounds great and some times its shite. even the way you physically position your amp in relation to the other players gear can influence your sound in the mix

Have you looked into the power tubes you are using in both your marshalls ? it could be something that simple that is causing the difference between the two amps.
you may have powertubes in one amp that break up later than the other set , the cooler a set of power tubes run the earlier the tubes will breakup that doesent mean the tubes are running cold they can be biased hot they just draw less current compared to another set.
I have amps that I own that ONLY sound good to my ears when they are running powertubes that inherently run cool and break up early and I have another amp that sounds shite with the same set of powertubes.
or..... it could just be the two amps will never sound the same. marshalls are like that.
 
my '73 50w jmp has no input grid resistor, 220k plate, 2.7k//0.68 (not exact values actually, but approximated) for V1 with both sides wired together (shared grids, plates and cathodes), 2.2n coupling cap (approximate value), .68 cathode bypass for v2, 120k cathode follower, 47k slope resistor, 680p treble cap, regular master volume, pre loop master volume, added buffer and gain stage for the loop (which I never use, but probably adds some compression), loop mix, post loop master volume, 22n pi caps, 37k nfb resistor, not sure about the presence, but I think it has a 330p cap, 5k pot bypassed with a 5k resistor (VERY smooth)
it sounds very unique and extremely versatile and dynamic
it has a thick and smooth sound like a jtm, the gnarly mids of a 1987 and way more gain and sustain than a 2203, but without the harshness and fizz of a dsl or jvm (more like a shiva/plexi mix)
very natural sounding amp, although it's not really a hard rocking 'Jose' type sound

try raising the first plate resistor and the presence cap value and see if you like the results

(really enjoying your playing, brother)
 
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