SavageRiffer
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This is killing me! ARRRRRGGGHHH! Which would you get and why?
cardinal":3k4hqfcr said:Not to make your life harder, but there's a great clip of the Big Maxx in the Diezel subforum. I'm starting to want one pretty badly.
SavageRiffer":2pvduc95 said:cardinal":2pvduc95 said:Not to make your life harder, but there's a great clip of the Big Maxx in the Diezel subforum. I'm starting to want one pretty badly.
Yes it sounds good, but a big part of my decision is the channel switching, MIDI, and emulated recording features. If I were to get a single channel, there's a Fargen Olde 800 that I've been lusting after for a long time.
crankyrayhanky":33obbszh said:I neber played a Paul, but if one were to take ch 2 on the DMoll and pump the mids (no mid cut), would that not get you into the ballpark of Paul? Probably more modern, gainy, and compressed but I lean that way anyway![]()
Add in the other DMoll features and it is a versatile beast. I'm sure Paul rocks hard as well and would like to try one.
duesentrieb":29lf4mcy said:It is a 100 Watt vs 50 Watt and mid cut vs reverb question. Other than that they are very similar. IMO.
I own both btw.
braintheory":2iif2ino said:How would you guys compare the Paul's lead tones to the D-Moll or the other Diezels like the Herbert or VH4? I've tried all the Diezel models except the Paul and Big Max. For my taste, I like the Herbert and VH4 best of his amps. Based on Peter Diezel's videos I preferred the VH4 and Herbert to the Paul for powerchords, rhythmical stuff, and tight chugs, but I remember the Paul's lead tones sounding especially nice in those clips