Finally happy with my pedals setup!What have you settled on

[braintheory]

I'm interested in a Ethos Overdrive w/HRM EQ. Pricey, but may be worth it. Then there's the Van Weelden Royal Overdrive. So many to choose from.

I had an Ethos HRM. Thought it was decent for some things, but nothing amazing overall. Still sounded very pedal like to me if that makes sense. None of the Dumble style pedals I’ve owned impressed me much (had the mad Professor simble, Shin’s Music Dumbloid, several Jetter’s and Vertex’s), but I’d say the Dumbloid was definitely the best of the bunch. Maybe I’ve beem spoiled by my few keeper pedals. Actually I just got a T Jauernig Smoothly (his take on Dumble/Zen Drive) that’s even better than I remember the Dumbloid being (or at least as good) and I paid under $100 for it, but still not keeping it. Jauernig makes some great stuff though and much more affordable than other pedals anywhere as good. Honestly though very few pedals impress me much these days

I’ve played a real Dumble as well as countless clones (Fuchs, Bludotone, Smartbelle, and many Two Rocks). None of the clones were anywhere near as good (Bludotone thought was closest) and none of the pedals where anywhere near as good as the clones. Just imo and 2 cents

Good to know! I'll pass on the Ethos Overdrive. I have the Ethos TWE-1, which I really dig. Well, I do for now anyway. I'm right there with you on pedals that try to emulate an amplifier. I prefer a great amp at the edge of breakup, and a pedal that kicks power section. Crowther Double Hot Cake, and the TWE-1 are great with VOX and Ampeg.

The best TS type pedal I've found, is the King Of Tone. I actually bought the 68 Pedals King Of Clone version, because I like having the switchable high-gain option for both sides. I use a modified Centura to push my Marshall, and a Skreddy Pig Mine for fuzz with my VOX Heritage. It's cool how specific pedals work with specific circuits... I don't like the TS808 with the VOX, but it sounds great with my 2554 SJ.

The one D style pedal that haunts me, is the Van Weelden Royal Overdrive. I don't think I've heard a bad representation of it, nor have I read a cross word. The price has kept me away, but it's not much more than the Ethos OD. I had a Zendrive 2 w/tube, but I didn't find it to be as dynamic as my other pedals. I don't get the hype that surrounds the Zen 2... I really don't.

I had a TWE-1 in the past. Ever since I got vintage PQ rack units like my Furman PQ3, TC Electronic 1140 and Audioarts 4100, almost any overdrive or boost pedal I’ve owned has gone packing (I’ve been through now more than 120). After having gone through so many, most of them tend to have a filtered/pedal like quality that I don’t like. The 5 I’ve kept are the few that don’t have that to my ears and had something that my PQ units still couldn’t match

I’ve had a Prince of Tone and have tried a King of Tone. Thought they decent, but had other stuff I liked better. Never tried the Van Welden. The clips did sound better than the other Dumble style pedals, but I can still hear that filtered/pedal like quality, so I’d probably hear that even more in person, so haven’t been interested. I’ll research the double hot cake. I have a few pedals on my radar, but is unlikely they’d be a keeper except for maybe the Wizard Leopard

I agree about the Centura with the 2554. I used my Klon with the 2554 I had and it was a terrific combo. The 5 od/boost pedals I’ve kept are: Klon Centaur silver (Original), Cameron (1-off prototype overdrive pedal), Jauernig Gristle King V3 Handwired, Coppersound Broadway and Fulltone Custom Ranger. Those last 2 are great for germanium styles boosts. Fuzzes I kept are: ‘70’s Foxx Tone Machine (best fuzz ever), Reissue Foxx Tone Machine, ‘90’s Russian Big Muff Bubble Font, Formula B Soviet Tank, Bumble Buzz and Danelectro French Toast (Foxx Tone Machine clone)

 

[Goat]

I had a TWE-1 in the past. Ever since I got vintage PQ rack units like my Furman PQ3, TC Electronic 1140 and Audioarts 4100, almost any overdrive or boost pedal I’ve owned has gone packing (I’ve been through now more than 120). After having gone through so many, most of them tend to have a filtered/pedal like quality that I don’t like. The 5 I’ve kept are the few that don’t have that to my ears and had something that my PQ units still couldn’t match

I’ve had a Prince of Tone and have tried a King of Tone. Thought they decent, but had other stuff I liked better. Never tried the Van Welden. The clips did sound better than the other Dumble style pedals, but I can still hear that filtered/pedal like quality, so I’d probably hear that even more in person, so haven’t been interested. I’ll research the double hot cake. I have a few pedals on my radar, but is unlikely they’d be a keeper except for maybe the Wizard Leopard

I agree about the Centura with the 2554. I used my Klon with the 2554 I had and it was a terrific combo. The 5 od/boost pedals I’ve kept are: Klon Centaur silver (Original), Cameron (1-off prototype overdrive pedal), Jauernig Gristle King V3 Handwired, Coppersound Broadway and Fulltone Custom Ranger. Those last 2 are great for germanium styles boosts. Fuzzes I kept are: ‘70’s Foxx Tone Machine (best fuzz ever), Reissue Foxx Tone Machine, ‘90’s Russian Big Muff Bubble Font, Formula B Soviet Tank, Bumble Buzz and Danelectro French Toast (Foxx Tone Machine clone)

That's an awesome cache of toys!

The Crowther Double Hot Cake is about as unique as they come, IMO. It's not your usual mid-boost type drive at all. It may sound scooped to some, but I think that's because people are used to TS charater sound. If anything, it's transparent. You have to be gentle when dialing it in, as it can get wolfy on you when you go too far with the gain as a single sided unit. Stack the Hot Cake and Bluesberry (A+B) together, and then use the center A+B drive knob to dial-in the distortion. I never set the A/B drive knobs above 12 noon. Maybe a little higher on the Bluesbery side, but rarely. I've nearly sold the pedal three times, but what it does is just too unique to part with. I mainly used it for Joe Walsh, Van Halen and Brian May tones. Seems to love my Ampeg GVT15 rig the most. Think... Aerosmith "ROCKS" tones (with Ampeg). The knobs are tight, so you don't have to fuss with marking the dials.

What is "vintage PQ"? Do you mean parametric EQ?

 

[braintheory]

I had a TWE-1 in the past. Ever since I got vintage PQ rack units like my Furman PQ3, TC Electronic 1140 and Audioarts 4100, almost any overdrive or boost pedal I’ve owned has gone packing (I’ve been through now more than 120). After having gone through so many, most of them tend to have a filtered/pedal like quality that I don’t like. The 5 I’ve kept are the few that don’t have that to my ears and had something that my PQ units still couldn’t match

I’ve had a Prince of Tone and have tried a King of Tone. Thought they decent, but had other stuff I liked better. Never tried the Van Welden. The clips did sound better than the other Dumble style pedals, but I can still hear that filtered/pedal like quality, so I’d probably hear that even more in person, so haven’t been interested. I’ll research the double hot cake. I have a few pedals on my radar, but is unlikely they’d be a keeper except for maybe the Wizard Leopard

I agree about the Centura with the 2554. I used my Klon with the 2554 I had and it was a terrific combo. The 5 od/boost pedals I’ve kept are: Klon Centaur silver (Original), Cameron (1-off prototype overdrive pedal), Jauernig Gristle King V3 Handwired, Coppersound Broadway and Fulltone Custom Ranger. Those last 2 are great for germanium styles boosts. Fuzzes I kept are: ‘70’s Foxx Tone Machine (best fuzz ever), Reissue Foxx Tone Machine, ‘90’s Russian Big Muff Bubble Font, Formula B Soviet Tank, Bumble Buzz and Danelectro French Toast (Foxx Tone Machine clone)

That's an awesome cache of toys!

The Crowther Double Hot Cake is about as unique as they come, IMO. It's not your usual mid-boost type drive at all. It may sound scooped to some, but I think that's because people are used to TS charater sound. If anything, it's transparent. You have to be gentle when dialing it in, as it can get wolfy on you when you go too far with the gain as a single sided unit. Stack the Hot Cake and Bluesberry (A+B) together, and then use the center A+B drive knob to dial-in the distortion. I never set the A/B drive knobs above 12 noon. Maybe a little higher on the Bluesbery side, but rarely. I've nearly sold the pedal three times, but what it does is just too unique to part with. Seems to love my Ampeg GVT15 rig the most. Think... Aerosmith "ROCKS" tones. The knobs are tight, so you don't have to fuss with marking the dials.

What is "vintage PQ"?

They’re rack units that are parametric EQ’s (PQ’s) from the ‘70’s and ‘80’s that also have outputs knobs that can even be isolated for a clean boost that’s far better than any clean boost pedals I’ve tried. I basically use them as if they were an overdrive/boost pedal and they sound amazing. The EQ controls let you dial ‘em in for many different tones. The 1140 even has a gain knob. Some of the pedals I’ve sold since getting them have included: Timmy V1, Friedman Buxom Boost and Golden Pearl, Landgraff, Spaceman Mercury IV, Lazy J Cruiser, 1981, Dark Glass, VFE Standout and probably others I’m forgetting. They make most pedals sound like cheap toys in comparison. My favorite one is the TC 1140. There is a learning curve though and they definitely won’t do the germanium thing unfortunately

 

[Goat]

What is "vintage PQ"?

They’re rack units that are parametric EQ’s (PQ’s) from the ‘70’s and ‘80’s that also have outputs knobs that can even be isolated for a clean boost that’s far better than any clean boost pedals I’ve tried. I basically use them as if they were an overdrive/boost pedal and they sound amazing. The EQ controls let you dial ‘em in for many different tones. The 1140 even has a gain knob. Some of the pedals I’ve sold since getting them have included: Timmy V1, Friedman Buxom Boost and Golden Pearl, Landgraff, Spaceman Mercury IV, Lazy J Cruiser, 1981, Dark Glass, VFE Standout and probably others I’m forgetting. They make most pedals sound like cheap toys in comparison. My favorite one is the TC 1140. There is a learning curve though and they definitely won’t do the germanium thing unfortunately

 

[Devin]

I have a shitload of pedals but this is what I've actually been using on my board lately:


Effectrode Tube-Vibe

AMT R/S Lead (for the heavies)

Wampler Dual Fusion (simply awesome - blue channel is on ALWAYS even on clean tones)

Korg Pitchblack

Guyatone Stevie Salas Wah Rocker (my all time fave pedal; so fun)

Alexander Space Race

Pigtronix Echolution 2 Filter Pro

 

[Gainzilla]

This is what I have, havent played in over 3 years due to being busy with other stuff and fret hand pain. Took off 7 years before that due to splitting with the ex ...it covers everything, I see no reason to upgrade anything other than my chops

 

[braintheory]

I had a TWE-1 in the past. Ever since I got vintage PQ rack units like my Furman PQ3, TC Electronic 1140 and Audioarts 4100, almost any overdrive or boost pedal I’ve owned has gone packing (I’ve been through now more than 120). After having gone through so many, most of them tend to have a filtered/pedal like quality that I don’t like. The 5 I’ve kept are the few that don’t have that to my ears and had something that my PQ units still couldn’t match

I’ve had a Prince of Tone and have tried a King of Tone. Thought they decent, but had other stuff I liked better. Never tried the Van Welden. The clips did sound better than the other Dumble style pedals, but I can still hear that filtered/pedal like quality, so I’d probably hear that even more in person, so haven’t been interested. I’ll research the double hot cake. I have a few pedals on my radar, but is unlikely they’d be a keeper except for maybe the Wizard Leopard

I agree about the Centura with the 2554. I used my Klon with the 2554 I had and it was a terrific combo. The 5 od/boost pedals I’ve kept are: Klon Centaur silver (Original), Cameron (1-off prototype overdrive pedal), Jauernig Gristle King V3 Handwired, Coppersound Broadway and Fulltone Custom Ranger. Those last 2 are great for germanium styles boosts. Fuzzes I kept are: ‘70’s Foxx Tone Machine (best fuzz ever), Reissue Foxx Tone Machine, ‘90’s Russian Big Muff Bubble Font, Formula B Soviet Tank, Bumble Buzz and Danelectro French Toast (Foxx Tone Machine clone)

That's an awesome cache of toys!

The Crowther Double Hot Cake is about as unique as they come, IMO. It's not your usual mid-boost type drive at all. It may sound scooped to some, but I think that's because people are used to TS charater sound. If anything, it's transparent. You have to be gentle when dialing it in, as it can get wolfy on you when you go too far with the gain as a single sided unit. Stack the Hot Cake and Bluesberry (A+B) together, and then use the center A+B drive knob to dial-in the distortion. I never set the A/B drive knobs above 12 noon. Maybe a little higher on the Bluesbery side, but rarely. I've nearly sold the pedal three times, but what it does is just too unique to part with. I mainly used it for Joe Walsh, Van Halen and Brian May tones. Seems to love my Ampeg GVT15 rig the most. Think... Aerosmith "ROCKS" tones (with Ampeg). The knobs are tight, so you don't have to fuss with marking the dials.

What is "vintage PQ"? Do you mean parametric EQ?

The double hot cake sounds good in the clips I’ve seen. Will be on the lookout for a used one to pop up. There aren’t any double hot cakes on reverb currently. The fact that there are a bunch of clones of it for sale on reverb is another sign that it’s something good

Pedals are one category of gear where it seems I can never know about all them. Just too many out there, the vast majority of them not that great, but I always gotta try a whole lot before finding the really special ones

 

[Goat]

I had a TWE-1 in the past. Ever since I got vintage PQ rack units like my Furman PQ3, TC Electronic 1140 and Audioarts 4100, almost any overdrive or boost pedal I’ve owned has gone packing (I’ve been through now more than 120). After having gone through so many, most of them tend to have a filtered/pedal like quality that I don’t like. The 5 I’ve kept are the few that don’t have that to my ears and had something that my PQ units still couldn’t match

I’ve had a Prince of Tone and have tried a King of Tone. Thought they decent, but had other stuff I liked better. Never tried the Van Welden. The clips did sound better than the other Dumble style pedals, but I can still hear that filtered/pedal like quality, so I’d probably hear that even more in person, so haven’t been interested. I’ll research the double hot cake. I have a few pedals on my radar, but is unlikely they’d be a keeper except for maybe the Wizard Leopard

I agree about the Centura with the 2554. I used my Klon with the 2554 I had and it was a terrific combo. The 5 od/boost pedals I’ve kept are: Klon Centaur silver (Original), Cameron (1-off prototype overdrive pedal), Jauernig Gristle King V3 Handwired, Coppersound Broadway and Fulltone Custom Ranger. Those last 2 are great for germanium styles boosts. Fuzzes I kept are: ‘70’s Foxx Tone Machine (best fuzz ever), Reissue Foxx Tone Machine, ‘90’s Russian Big Muff Bubble Font, Formula B Soviet Tank, Bumble Buzz and Danelectro French Toast (Foxx Tone Machine clone)

That's an awesome cache of toys!

The Crowther Double Hot Cake is about as unique as they come, IMO. It's not your usual mid-boost type drive at all. It may sound scooped to some, but I think that's because people are used to TS charater sound. If anything, it's transparent. You have to be gentle when dialing it in, as it can get wolfy on you when you go too far with the gain as a single sided unit. Stack the Hot Cake and Bluesberry (A+B) together, and then use the center A+B drive knob to dial-in the distortion. I never set the A/B drive knobs above 12 noon. Maybe a little higher on the Bluesbery side, but rarely. I've nearly sold the pedal three times, but what it does is just too unique to part with. I mainly used it for Joe Walsh, Van Halen and Brian May tones. Seems to love my Ampeg GVT15 rig the most. Think... Aerosmith "ROCKS" tones (with Ampeg). The knobs are tight, so you don't have to fuss with marking the dials.

What is "vintage PQ"? Do you mean parametric EQ?

The double hot cake sounds good in the clips I’ve seen. Will be on the lookout for a used one to pop up. There aren’t any double hot cakes on reverb currently. The fact that there are a bunch of clones of it for sale on reverb is another sign that it’s something good

Pedals are one category of gear where it seems I can never know about all them. Just too many out there, the vast majority of them not that great, but I always gotta try a whole lot before finding the really special ones

I've been through a large share of drive pedals, and it's rare that I find anything that I really like. When I plugged into the DHC, I was like... WTF? It took me a couple of weeks to unlock its abilities, and I'm still discovering new settings.

In this clip, listen how Ed teases the amp using the guitar volume. That slight amount of "fuzz" that surrounds the notes at low volume setting, then to full-on gain... The DHC nails this character to a T! This is referred to as its "halo of dirt" effect. Some players don't like this, so they bail on the pedal. To me, it's totally amp-like.

My chain... Guitar -> MXR Smart Gate -> RMC10 wah -> Phase 90 -> Vibe Machine -> ADA flanger -> KOT -> DHC -> Rockman EQ -> T Rex tape echo -> Rockman SC -> Rockman SE -> Ampeg on the left -> VOX (EF86 channel) on the right.

Check here for HC info...
https://www.thegearpage.net/board/index ... t.1733037/
https://www.thegearpage.net/board/index ... e.1881222/

 

[UltraGary]

Made a silly mistake, but I'm still fine with it....as my medical condition (& COVID!!) has stopped my gigging for a while. I THOUGHT I'd be smart and buy a big board with both room for my main amp footswitch (which I've always wanted to incorporate onto my board) and growing room for more pedals in the future. Welp... I ended up almost dying in the hospital as I was finishing it, and in the 2years since...it just kind of sits there reminding me of how damn big it is. That said...the signal chain is working great!

E.B. volume pedal > MAXON OD808 > ONE CONTROL switcher controlling the EARTHQUAKER Data Corrupter, TC ELECTRONICS Flashbak X4, NEUNABER Inspire (excellent chorus!) and PETERSON StroboStomp > PIGTRONIX Gate Keeper (of which I never use)

It's cool seeing what you guys are running.

 

[Goat]

Made a silly mistake, but I'm still fine with it....as my medical condition (& COVID!!) has stopped my gigging for a while. I THOUGHT I'd be smart and buy a big board with both room for my main amp footswitch (which I've always to incorporate onto my board) and growing room for more pedals in the future. Welp... I ended up almost dying in the hospital as I was finishing it, and in the 2years since...it just kind of sits there reminding me of how damn big it is. That said...the signal chain is working great!

Damn, dude! Fuck the COVID-19 politics... I hope you're doing okay now. Drag that pedalboard out, and jam!

 

[UltraGary]

Made a silly mistake, but I'm still fine with it....as my medical condition (& COVID!!) has stopped my gigging for a while. I THOUGHT I'd be smart and buy a big board with both room for my main amp footswitch (which I've always to incorporate onto my board) and growing room for more pedals in the future. Welp... I ended up almost dying in the hospital as I was finishing it, and in the 2years since...it just kind of sits there reminding me of how damn big it is. That said...the signal chain is working great!

Damn, dude! Fuck the COVID-19 politics... I hope you're doing okay now. Drag that pedalboard out, and jam!

I have about 8-10 times in the last year...and I'm now realizing it's too damn big for what I'm doing. Here I thought I'd be adding pedals on and doing a bunch of sh*t (early 2018 viewpoint)... and now I see all of this wasted space making me out of breath when I bring it somewhere.

That said, on a slightly different note....., the music store I recently worked a few years in had a guy who really knew his shit doing pedalboards. So taking what he taught me went a long way. My previous boards were those self-powered Furmans, and they'd always develop noise issues from the onboard power supplies. So at least I was able to put something big with growing room together that has a near silent signal path. (always looking for the silver lining )

 

[Goat]

I go from loving the Ethos TWE-1, to not loving the Ethos TWE-1. Weird!

 

[braintheory]

I go from loving the Ethos TWE-1, to not loving the Ethos TWE-1. Weird!

That’s similar to how I felt when I had mine. Eventually I had other pedals that I felt captured what I liked about it and decided to sell it. I did though like it better than the other Trainwreck pedals I’ve tried

 

[Goat]

I go from loving the Ethos TWE-1, to not loving the Ethos TWE-1. Weird!

That’s similar to how I felt when I had mine. Eventually I had other pedals that I felt captured what I liked about it and decided to sell it. I did though like it better than the other Trainwreck pedals I’ve tried

There's a guy in GA. who makes a damn fine TW clone. Once I unload my LP Deluxe, I'm going to order one.

 

[itsme]

This has been it for the longest time. Tried many others, but they're all gone.

Top row in front...

Bottom row in the loop...

 

[Goat]

This has been it for the longest time. Tried many others, but they're all gone.

Top row in front...

Bottom row in the loop...

Clean, simple, and a ton of sound options.

 

[itsme]

This has been it for the longest time. Tried many others, but they're all gone.

Top row in front...

Bottom row in the loop...

Clean, simple, and a ton of sound options.

Yes. The perfect board IMO...

 

[braintheory]

I had a TWE-1 in the past. Ever since I got vintage PQ rack units like my Furman PQ3, TC Electronic 1140 and Audioarts 4100, almost any overdrive or boost pedal I’ve owned has gone packing (I’ve been through now more than 120). After having gone through so many, most of them tend to have a filtered/pedal like quality that I don’t like. The 5 I’ve kept are the few that don’t have that to my ears and had something that my PQ units still couldn’t match

I’ve had a Prince of Tone and have tried a King of Tone. Thought they decent, but had other stuff I liked better. Never tried the Van Welden. The clips did sound better than the other Dumble style pedals, but I can still hear that filtered/pedal like quality, so I’d probably hear that even more in person, so haven’t been interested. I’ll research the double hot cake. I have a few pedals on my radar, but is unlikely they’d be a keeper except for maybe the Wizard Leopard

I agree about the Centura with the 2554. I used my Klon with the 2554 I had and it was a terrific combo. The 5 od/boost pedals I’ve kept are: Klon Centaur silver (Original), Cameron (1-off prototype overdrive pedal), Jauernig Gristle King V3 Handwired, Coppersound Broadway and Fulltone Custom Ranger. Those last 2 are great for germanium styles boosts. Fuzzes I kept are: ‘70’s Foxx Tone Machine (best fuzz ever), Reissue Foxx Tone Machine, ‘90’s Russian Big Muff Bubble Font, Formula B Soviet Tank, Bumble Buzz and Danelectro French Toast (Foxx Tone Machine clone)

That's an awesome cache of toys!

The Crowther Double Hot Cake is about as unique as they come, IMO. It's not your usual mid-boost type drive at all. It may sound scooped to some, but I think that's because people are used to TS charater sound. If anything, it's transparent. You have to be gentle when dialing it in, as it can get wolfy on you when you go too far with the gain as a single sided unit. Stack the Hot Cake and Bluesberry (A+B) together, and then use the center A+B drive knob to dial-in the distortion. I never set the A/B drive knobs above 12 noon. Maybe a little higher on the Bluesbery side, but rarely. I've nearly sold the pedal three times, but what it does is just too unique to part with. I mainly used it for Joe Walsh, Van Halen and Brian May tones. Seems to love my Ampeg GVT15 rig the most. Think... Aerosmith "ROCKS" tones (with Ampeg). The knobs are tight, so you don't have to fuss with marking the dials.

What is "vintage PQ"? Do you mean parametric EQ?

The double hot cake sounds good in the clips I’ve seen. Will be on the lookout for a used one to pop up. There aren’t any double hot cakes on reverb currently. The fact that there are a bunch of clones of it for sale on reverb is another sign that it’s something good

Pedals are one category of gear where it seems I can never know about all them. Just too many out there, the vast majority of them not that great, but I always gotta try a whole lot before finding the really special ones

I've been through a large share of drive pedals, and it's rare that I find anything that I really like. When I plugged into the DHC, I was like... WTF? It took me a couple of weeks to unlock its abilities, and I'm still discovering new settings.

In this clip, listen how Ed teases the amp using the guitar volume. That slight amount of "fuzz" that surrounds the notes at low volume setting, then to full-on gain... The DHC nails this character to a T! This is referred to as its "halo of dirt" effect. Some players don't like this, so they bail on the pedal. To me, it's totally amp-like.

My chain... Guitar -> MXR Smart Gate -> RMC10 wah -> Phase 90 -> Vibe Machine -> ADA flanger -> KOT -> DHC -> Rockman EQ -> T Rex tape echo -> Rockman SC -> Rockman SE -> Ampeg on the left -> VOX (EF86 channel) on the right.

Check here for HC info...
https://www.thegearpage.net/board/index ... t.1733037/
https://www.thegearpage.net/board/index ... e.1881222/

Just got a double hot cake the other day and you’re descriptions were very accurate. It’s a great pedal! Sounds huge, good for a big wall of sound with lots of low mid presence and almost a fuzzy character. This would’ve sent the buxom boost I used to have packing even faster

The Klon is still my all time favorite boost/overdrive pedal, but this is among 5 that I’m keeping for now. I’ve got a Thorpy Heavy Water coming in tomorrow and still got a few more on my radar: Wizard Leopard, Vahlbruch Kaluna, KSR Eros, Cole Paradrive and 2 more Jauernig’s

 

[S̷͖͑m̵͎͂á̵̺s̸͚̈́h̴̬̑]

I meant to upload a pic when this post came out. But I never ended up taking one.

 

[PDC]

Rehearsal Board and Gig Board (with room for the Splawn 4-button footswitch)