Random Hero":2o6vn2uw said:
I personally can barely stand Malmsteen's vibrato, it's just so over the top and exaggerated on every single note. Same goes for Zakk Wylde too to me. However, I love Andy Timmons vibrato so I would say listen to him. Or then someone like Trower as previously mentioned. Also try other vibrato styles, like the old blues take the thumb off of the neck style a la Clapton.
The old blues guys got it right. BB King, Freddie King, Albert King, Buddy Guy, Albert Collins, etc.
The next generation picked it up from those guys...Jimi, Trower, Beck, Page, Clapton, West, Schenker, etc
All the above are masters of what's called bent-note vibrato. Thats bending the note, then applying vibrato to it. These guys never repeated themselves cause the vibrato came natual and it was generated by the FEEL they were trying to convey. There is an old Clapton/ Cream interview where he demonstrates it and says it takes a long time to learn.
Then you got the exaggerated back and forth rubber band vibrato. Zakk, and most other metal guys.
Their vibrato technique is simple play something slick, then throw a warped-record vibrato tacked on the last note.
This , IMO isnt even a controlled vibrato, rather a technique used by guys with no blues backround. They all hear and immitate each other, and the end result is their vibratos sound the same.
You develope your vibrato from what you listen too.
You listen to some blues cats, SRV, Trower, you're going to develope a vibrato that is applied acording to the feel of the music and what you're trying to convey.
If you listen to a bunch of metal caks...well, you're going to sound like the generic vibrato that is used in that type music.