Let's see those Suhrs!

  • Thread starter Thread starter geetarmikey
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geetarmikey

geetarmikey

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Been getting back into playing my Modern after mostly using my Charvel for the past year for gigs. It's had a proper setup and fret dress and plays like a dream!

I've lightly modded mine with a graphite nut, black saddles and a Dimarzio Liquifire in the neck. Oh and a hairband to keep those strings dampened behind the nut, the only fault I found with it.

Let's see yours!
 

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Beautiful guitar, Mikey! I've never owned a Suhr (or a Tom Anderson) - but have played examples of both at one of the higher end music stores and both brands feel amazing in your hands. I am betting this has a lot to do with attention to detail during final set-up before the ever leave the factory. Perfectly leveled and dressed frets + lowest possible action with zero buzz + perfect intonation = a guitar that just 'feels' completely different than 99% of anything else hanging on the wall at the store.
 
Beautiful guitar, Mikey! I've never owned a Suhr (or a Tom Anderson) - but have played examples of both at one of the higher end music stores and both brands feel amazing in your hands. I am betting this has a lot to do with attention to detail during final set-up before the ever leave the factory. Perfectly leveled and dressed frets + lowest possible action with zero buzz + perfect intonation = a guitar that just 'feels' completely different than 99% of anything else hanging on the wall at the store.
100%! It's been a brilliant guitar over the 15 years I've gigged it. Highly recommended
 
So I've never played a Suhr before, I've always wondered wha the necks on the Moderns (24 fret) feel like compared to a Jackson or a Charvel or even an Ibanez Rg prestige. (those are what's in my collection). One of my friends told me a Modern with a Floyd would be my "perfect" guitar.
 
Modern eliptical is really unique profile and don't know if any other guitar has similar one. IBZ and Jackson are wider and flatter. Suhrs are slightly narrower and fuller on first frets with great taper, closer to Charvel ones. Most common is 0.800-0.880" but You can order different thickness. imho one of the best superstrat profile.
 
This is ancient. I custom ordered this in 2010 and got it in December of that year. I’m a sucker for orange and was stoked to spec this one out!

I’m a Les Paul guy and a non-shreddy and un-wheedly one at that. I used this for 1 set of 1 gig and decided I was WAY more comfortable on the R7 LP. Oh well. Got pretty close to what I paid when I sold it.
2010-12-11 09.16.39.jpeg
 
So I've never played a Suhr before, I've always wondered wha the necks on the Moderns (24 fret) feel like compared to a Jackson or a Charvel or even an Ibanez Rg prestige. (those are what's in my collection). One of my friends told me a Modern with a Floyd would be my "perfect" guitar.
I like my Gibsons 60s slim taper necks.
I like bigger, thicker necks like on my CS Tele, the custom 50s neck that was on my Slash LP, the 60s Vibe +.20" on my buddy's Anderson Icon.
I struggle with super thin necks, like Ibanez RG, Ormsby I had and other such shredder types. Jackson/Charvel is about as slim as I like.
I struggle with most Ernie Ball necks I've played, including the Albert Lee I owned. I don't gel with Reverend necks at all.

My Suhr Modern has the modern elliptical shape. It doesn't feel too small or thin. It fits in my hand just right. Feels more significant in the hand than the Jackson, Charvels and Ibanez RGs I've had, without ever feeling big or bulky. It's like someone tweaked the neck on your favorite vintage guitar, just enough to make it faster, more comfortable, just a bit slicker. I can play better on it than most guitars.
Honestly, I feel the term "modern" is a somewhat misleading model name. Mine anyway, feels more like a vintage instrument with modern tweaks to slightly hot-rod it, vs something truly more modern like the RG. It's different, but somehow similar to the way my PRS Custom 24 feels both old and new.
 
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