S
StanHavars
New member
Hi everyone,
I have a question about the main filter capacitors in guitar amplifiers. At first, I thought it was just a coincidence, but after digging deeper, I kept coming across the same type of caps in every amp that I liked.
I’m talking about modded Marshalls with large main filter caps—Mallory caps, supposedly 650µF 350V wired in series, which results in 325µF at 700V filtering.
The first time I noticed these was in a Mark Cameron–modded Marshall JMP from 1979 located in Australia. After that, I saw the same setup in Ossie’s (Three Monkeys Amps) Jose-modded Marshall JMP. I think that in a discussion with Dave Friedman, they mentioned that the amp was modded by Lee Jackson and that he may have installed those caps.
That’s not all—Doug Aldrich’s 1978–79 Marshall JMP, which was modded by John Suhr, also has similar caps.
Now, everyone who hears about that amount of filtering flips out, but there must be something about this technique that contributes to the way those amps sound. In the Cameron “Old Bitch” amp, there are also filter caps in a similar range (without going into exact values).
I’m curious—has anyone here experimented with such large filtering values, and how did it go? Is it worth trying? And please don't say the amp is dead sounding 'cus I really have no f..'n idea what the hell should this mean.
I understand that this will stress the transformers and rectifiers when switching the amp on, but I’m still interested. I’m also wondering how this kind of filtering would affect the overall sound of the amp or it will be mainly feel thing?
I have a question about the main filter capacitors in guitar amplifiers. At first, I thought it was just a coincidence, but after digging deeper, I kept coming across the same type of caps in every amp that I liked.
I’m talking about modded Marshalls with large main filter caps—Mallory caps, supposedly 650µF 350V wired in series, which results in 325µF at 700V filtering.
The first time I noticed these was in a Mark Cameron–modded Marshall JMP from 1979 located in Australia. After that, I saw the same setup in Ossie’s (Three Monkeys Amps) Jose-modded Marshall JMP. I think that in a discussion with Dave Friedman, they mentioned that the amp was modded by Lee Jackson and that he may have installed those caps.
That’s not all—Doug Aldrich’s 1978–79 Marshall JMP, which was modded by John Suhr, also has similar caps.
Now, everyone who hears about that amount of filtering flips out, but there must be something about this technique that contributes to the way those amps sound. In the Cameron “Old Bitch” amp, there are also filter caps in a similar range (without going into exact values).
I’m curious—has anyone here experimented with such large filtering values, and how did it go? Is it worth trying? And please don't say the amp is dead sounding 'cus I really have no f..'n idea what the hell should this mean.
I understand that this will stress the transformers and rectifiers when switching the amp on, but I’m still interested. I’m also wondering how this kind of filtering would affect the overall sound of the amp or it will be mainly feel thing?