NAD! '82 Marshall 4104 with EV's

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Ok, it occurs to me that I shouldn't be comparing stereo single-source tracks vs panned doubled mono tracks since the panned mono imitates two sound sources wide apart whereas the stereo single-source track is just a single source down the center. What I should do is compare centered stereo image tracks vs centered mono tracks. If I want to compare a panned mono track with the 57 to the PZMs, then I should also double track with the stereo array, but each time rotating the mic array left or right to do the panning at the source. I also sorted out issues with tracks sounding different outside my DAW than they did inside. I think that came down to mono tracks getting doubled into left and right channels without re-normalizing the audio to maintain the same level as in the DAW, resulting in a 3dB boost in volume.

So, here is a centered stereo pair recording with the PZMs and a panned mono track with the 57. They've both been LUFS matched so they should have approximately equal loudness, and I fixed the issue with exports screwing that up.

 
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Just took receipt of the PS100 I bought from @GrimTrigger, and used the line out to blast the Marshall into an Eminence EM12 IR through my MSP5 monitors without killing the neighborhood cats. Not quite my ideal tone being an SM57 capture, and an EVM12L (clone) instead of a 12S, but still good I think. Phone recording.
 
Hmm, ok, now the amp is making noises similar to when the input jack had a bad connection, and has some volume drop-outs. Maybe it's finally time to perform a more thorough service check-up. The low input on 10 through the PS into my combo cab sounds fantastic though, enough drive to do lighter stuff (or play in a worship team) and cleans up beautifully with playing dynamics.
 
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