
Red_Label
Active member
So after swearing-off "small iron" (tube amps less than 50 watts), and circuit-laden channel switchers last year... I thought I'd likely be going with classic styled amps like Fenders and Plexis from here on out. Have owned lots of great boutique amps over the past couple of years (several of which were bought and sold here). Bogners, VHT, Engl, Lickliter, and more. All were great, but I felt like there was too much going-on in there and wanted to simplify by tone chain. Main two amps over the past year have been a Marshall 2203X and Straub Hurdy Gurdy (blackface, 2X6L6, P2P). Both simple, single-channel amps that sound great.
And then, I plugged into a Hughes & Kettner Grandmeister today. Holy crap this thing can cover a lot of ground! My local dealer (long-time lurker here) sent me home with the last one they'll have for at least a month and I proceeded to wring this thing out for at least three hours today. Used 4 different guitars (MM Morse Y2D, Dean Soltero USA, Sterling Luke, and Schecter Damien C7 Elite).
Started with some country stuff. As usual, the H&K amps always produce awesome, glassy cleans. )I used to gig a Triamp Mk I in a country rock band and it was awesome.) Push the boost on for some hair. Add some chorus, reverb and delay to taste. All very pristine. Favorite guitars in this mode were The MM Y2D and Sterling Luke (which my dealer ALSO sent me home with today). Plenty of spank, chime, and glass here. Played through a bunch of Kenny Chesney, Keith Urban, etc. Have been considering joining another country band lately and this amp would be perfect. Sure... it's overkill for that. But it's got the tone, and more features than you could ever fully use... so why not?
Then on to crunch rhythm and lead programming. This took me longer. At first I felt that the tones were too loose, spongey, and flubby. But [despite my disdain for the buzz-kill of spending time tweaking instead of playing] after some quality time tweaking I had tightened-up the rhythm crunch and leads and was really liking them. Did some dry patches, as well as ones with reverb and delay for leads. I like OD on an amp to have immediate response. So once I'd found those tones (found them in the Lead and Ultra modes with the gain rolled-back, and the volume punchy enough to be "spanky")... I went through the Dean Soltero USA (LP-style) and really loved the crunch and clarity, yet fluidity that I was hearing as I did lead work.
And lastly, I pulled-out the Schecter 7-string, dialed-up an awesome scoopy patch on the Ultra channel and channeled my inner teenager. The thing was tight and inspirational as I played numbers from Halestorm, Evenescence, Chevelle, Saliva, etc. I was VERY impressed with the HUGE tone this thing was delivering through my V30/H30 loaded 4X12.
I'm convinced that there's NO ground I couldn't cover with this thing. It's small, fits in a small carry bag, has all kinds of features like the Redbox DI, scalable wattage, etc.This thing is PERFECT for someone who has to cover a lot of ground, but needs to keep his rig compact and possibly quite (though it will get loud as hell!).
I HIGHLY recommend that you check them out if you are curious in the least. Makes sure you understand how to operate the FX and tone controls. I've got the FSM432Mk III footswitch that goes along with the amp and it's perfect.
Take it from a guy who has owned most of the great tube amps... this thing is legit!
And then, I plugged into a Hughes & Kettner Grandmeister today. Holy crap this thing can cover a lot of ground! My local dealer (long-time lurker here) sent me home with the last one they'll have for at least a month and I proceeded to wring this thing out for at least three hours today. Used 4 different guitars (MM Morse Y2D, Dean Soltero USA, Sterling Luke, and Schecter Damien C7 Elite).
Started with some country stuff. As usual, the H&K amps always produce awesome, glassy cleans. )I used to gig a Triamp Mk I in a country rock band and it was awesome.) Push the boost on for some hair. Add some chorus, reverb and delay to taste. All very pristine. Favorite guitars in this mode were The MM Y2D and Sterling Luke (which my dealer ALSO sent me home with today). Plenty of spank, chime, and glass here. Played through a bunch of Kenny Chesney, Keith Urban, etc. Have been considering joining another country band lately and this amp would be perfect. Sure... it's overkill for that. But it's got the tone, and more features than you could ever fully use... so why not?
Then on to crunch rhythm and lead programming. This took me longer. At first I felt that the tones were too loose, spongey, and flubby. But [despite my disdain for the buzz-kill of spending time tweaking instead of playing] after some quality time tweaking I had tightened-up the rhythm crunch and leads and was really liking them. Did some dry patches, as well as ones with reverb and delay for leads. I like OD on an amp to have immediate response. So once I'd found those tones (found them in the Lead and Ultra modes with the gain rolled-back, and the volume punchy enough to be "spanky")... I went through the Dean Soltero USA (LP-style) and really loved the crunch and clarity, yet fluidity that I was hearing as I did lead work.
And lastly, I pulled-out the Schecter 7-string, dialed-up an awesome scoopy patch on the Ultra channel and channeled my inner teenager. The thing was tight and inspirational as I played numbers from Halestorm, Evenescence, Chevelle, Saliva, etc. I was VERY impressed with the HUGE tone this thing was delivering through my V30/H30 loaded 4X12.
I'm convinced that there's NO ground I couldn't cover with this thing. It's small, fits in a small carry bag, has all kinds of features like the Redbox DI, scalable wattage, etc.This thing is PERFECT for someone who has to cover a lot of ground, but needs to keep his rig compact and possibly quite (though it will get loud as hell!).
I HIGHLY recommend that you check them out if you are curious in the least. Makes sure you understand how to operate the FX and tone controls. I've got the FSM432Mk III footswitch that goes along with the amp and it's perfect.
Take it from a guy who has owned most of the great tube amps... this thing is legit!