Recommend a Delay and Reverb pedal for 80s metal

GrimTrigger said:
This is the only digital amp model I’m interested in. But even though it sounds awesome for that 80s sound ala Ethan Brosh a little antiquated in terms of features (no usb).

I emailed ISP and they told me they have something new in the works….
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Yes, it's old school; it reminds me of my old rack gear from back in the day (ADA) in a floorboard format, and programming patches on that little LCD screen was and still is tedious compared to touchscreens and software editors today...but the sounds in the ISP kit are worth it.

Last year I made a computer software rig, and I use that 90%+ of the time, with no plans to get any more hardware gear, amps or cabs. I still have around a dozen tube amps, most 100W no plans to sell, but I've sold / selling my hardware modelers....so I don't plan to get any new ISP hardware gear either.

Nothing like 50W, 100W tube amps with the power amp opened up, but that's because I'm old and nostalgic....my computer plugin rig is really all I need.
 
GrimTrigger said:
What about the MLC stereo line mixer? I’m confused how you set individual levels for effects. It only has the Mix 1 and Mix 2 like the old Bradshaw racks. Not sure how it works.
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Generally with parallel mixers you control the mix with the output level of your effects unit. Run mix at 100% and control the amount of effect with the output level.
 
Shask said:
Yeah, that seems to be the number 1 choice if I were to go that route. I just wish it were smaller and simpler.

I was thinking about a RJM Micro Line Mixer, which would work awesome, but then I realized without a way to shut off the loops I would have level issues using the normal bypass switches of the pedals, so I dont think that would work.
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@Shask

Here’s an idea to get the RJM Micro Line Mixer to work with bypassing effects (and do so via MIDI).

This ABY pedal by Oscillator Devices has MIDI controlled disconnect for A or B or both.

Oscillator Devices ABY Manual

So you could come out of the Buffer Out sending the output to the input of the ABY pedal and out each A and B channel to the input of your effects pedal. Those would go stereo out from each effects pedal back into the RJM mixer to get mixed in as 100% wet with your dry. The Buffer Out on the RJM is a TRS out so you could come out with a Y cable and send it to another ABY pedal to mix in your third effects pedal since the RJM allows for up to three stereo inputs.

I already for the Samson SM-10 and it works well but I may do this instead.
 
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