
shreder75
New member
Vrad":2ihw6yaw said:shreder75":2ihw6yaw said:and the styrofoam peanuts..must know if they're gibson spec
NOS styrofoam from 1960! LOL!![]()
much better than 9th gen reissue styrofoam
Vrad":2ihw6yaw said:shreder75":2ihw6yaw said:and the styrofoam peanuts..must know if they're gibson spec
NOS styrofoam from 1960! LOL!![]()
Vrad":5csysf7c said:ratter":5csysf7c said:Night and day! Who's who?
They look the same. I know which is which because I know those pictures. I was on the Edwards site the other day reading the specs on the guitar. Aside from that, it's really just the knobs. If you rotate the picture and put them side by side they're identical.
nbarts":dh4oka6v said:Vrad":dh4oka6v said:ratter":dh4oka6v said:Night and day! Who's who?
They look the same. I know which is which because I know those pictures. I was on the Edwards site the other day reading the specs on the guitar. Aside from that, it's really just the knobs. If you rotate the picture and put them side by side they're identical.
The difference is in the arch top, not the contour.
Whatever, I'm out of here.
Let us know how you like your guitar when it arrives.![]()
shreder75":2it7tvjd said:Vrad":2it7tvjd said:shreder75":2it7tvjd said:and the styrofoam peanuts..must know if they're gibson spec
NOS styrofoam from 1960! LOL!![]()
much better than 9th gen reissue styrofoam
Vrad":3gtjxrfi said:ratter":3gtjxrfi said:danyeo":3gtjxrfi said:I don't subscribe to that camp at all. I'm a believer in the shape of the guitar, the body wood, scale, bridge, tilt back neck design, etc. I think the Singlecut designs like this are the best sounding guitars for rock and metal. But, in no way shape or form does it have to say Gibson on the headstock.
And what does it mean to sound like a Gibson anyway? Some Gibsons sound like shit and lot's of them sound great. All the new standards are chambered, that's not a bad thing though it doesn't seem to affect the tone as much as chambered Superstrats IMHO. I don't think the new LP's have much on a the SC245's. I'm skeptical on the Edwards, i need to play one first. I played Paiges Tokai and it felt like a cheap toy.
My Edwards has a cheap feel to it, IMO. If you want to call it that. I think it's because of the lighter body wood - it has a light dry feel to it. And also the finish on mine is a rough/relic'ed lacquer that kinda feels halfway done, sort of like the Gibson Faded series and some of the ESP/LTD LP styles. Those two aspects don't leave the best impression. But if I think about it, the best LP I ever played was very light. And the Edwards sounds and feels better than my R7 did and is a ton of fun to play, so I can put up with the flaws. Especially for the price.
If price was no object, I'd go cherry pick an R8 or R9. But that isn't a knock on the Edwards when you consider the price difference.
Matt had one a while back. It was one of those Lacquer Taste (tee hee) LP's. Now this particular guitar wouldn't stay in tune for whatever reason. That major issue aside, the actual tone was GREAAT!! But I do know what you're saying that it feels sorta cheap. The bridge wasn't as heavy as feeling as the LP's that I've played, but the tone was there. It was massive sounding... out of tune as fuck but sounded great!
danyeo":18g7c9b2 said:Vrad":18g7c9b2 said:ratter":18g7c9b2 said:danyeo":18g7c9b2 said:I don't subscribe to that camp at all. I'm a believer in the shape of the guitar, the body wood, scale, bridge, tilt back neck design, etc. I think the Singlecut designs like this are the best sounding guitars for rock and metal. But, in no way shape or form does it have to say Gibson on the headstock.
And what does it mean to sound like a Gibson anyway? Some Gibsons sound like shit and lot's of them sound great. All the new standards are chambered, that's not a bad thing though it doesn't seem to affect the tone as much as chambered Superstrats IMHO. I don't think the new LP's have much on a the SC245's. I'm skeptical on the Edwards, i need to play one first. I played Paiges Tokai and it felt like a cheap toy.
My Edwards has a cheap feel to it, IMO. If you want to call it that. I think it's because of the lighter body wood - it has a light dry feel to it. And also the finish on mine is a rough/relic'ed lacquer that kinda feels halfway done, sort of like the Gibson Faded series and some of the ESP/LTD LP styles. Those two aspects don't leave the best impression. But if I think about it, the best LP I ever played was very light. And the Edwards sounds and feels better than my R7 did and is a ton of fun to play, so I can put up with the flaws. Especially for the price.
If price was no object, I'd go cherry pick an R8 or R9. But that isn't a knock on the Edwards when you consider the price difference.
Matt had one a while back. It was one of those Lacquer Taste (tee hee) LP's. Now this particular guitar wouldn't stay in tune for whatever reason. That major issue aside, the actual tone was GREAAT!! But I do know what you're saying that it feels sorta cheap. The bridge wasn't as heavy as feeling as the LP's that I've played, but the tone was there. It was massive sounding... out of tune as fuck but sounded great!
Ever play a PRS SC? I owned one years ago and it was really nice. They feel different from a good LP and with the longer scale they sound a little different, but they rock!The sc245's sound a bit more like a good sounding LP.
ratter":2620c3f2 said:Some Gibsons have the dish carve too. But you have to be like really super critical of craftsmanship to know important things like that.
Vrad":3rtvgfxa said:ratter":3rtvgfxa said:Some Gibsons have the dish carve too. But you have to be like really super critical of craftsmanship to know important things like that.
Yeah... it's not a big deal to me at all. I thought nbarts was referring to the shape of the guitar. I couldn't figure out how it was different. I didn't notice it until he pointed it out to me. If I don't notice, then who cares right?!
Exactly! When he said "night and day" I took it as just that! Sure as hell isn't a deal breaker!ratter":319nnsti said:Vrad":319nnsti said:ratter":319nnsti said:Some Gibsons have the dish carve too. But you have to be like really super critical of craftsmanship to know important things like that.
Yeah... it's not a big deal to me at all. I thought nbarts was referring to the shape of the guitar. I couldn't figure out how it was different. I didn't notice it until he pointed it out to me. If I don't notice, then who cares right?!
Exactly. That's why I'm ribbing nbarts about it - he made it out like some major difference when really it's completely inconsequential and only sometimes true. My LP-130 has the dish. But so does an R9.
Whether or not you end up liking like the guitar, it won't be because of the arch or lack thereof...
nbarts":1rcojss9 said:ratter,
This one is a special for you. Side by side in the same spot with the same camera. As you can see Orville does what one would call a replica. Can you see the difference in shape? I certainly hope so.
![]()
Digital Jams":2n7jtwwd said:Would love to see clips posted with the following being played one at a time,
Gibson LP
Tokai
Edwards
PRS
Heritage
Hamer
Epiphone
ESP
Collins
Rondo
Ibanez
LTD
Would love to see" nothing sounds like a Gibson" to the test. Of course the guys that have stated that will have to put some scratch up to prove this fact![]()
nbarts":309swbc5 said:ratter,
This one is a special for you. Side by side in the same spot with the same camera. As you can see Orville does what one would call a replica. Can you see the difference in shape? I certainly hope so.
ratter":1isl4lhz said:nbarts":1isl4lhz said:ratter,
This one is a special for you. Side by side in the same spot with the same camera. As you can see Orville does what one would call a replica. Can you see the difference in shape? I certainly hope so.
You're right, truly a night and day difference. Astonishing really. They are millime...err....WORLDS apart.
What is that one on the left anyway....a telecaster? Is it a mandolin of some kind?
shreder75":276k6k4f said:vlad would make a wash tub bass sound like a stratovarious
he's just THAT damn dreamy