DMartin356
Member
I got on the list, ordered a blue one. It’s weird that they pulled it off the site, because the black ones would always be available & the colored ones were limited editions.
You have to tell me about the doubler when you get it.I got on the list, ordered a blue one. It’s weird that they pulled it off the site, because the black ones would always be available & the colored ones were limited editions.
40w is reasonable. It solves an issue of space, was i the only one who read the specs on their site, i should have been reading about the limited number of unitsI gotcha though it doesn't seem like 40 watts would keep up with the average user's 50 or 100 watt tube head.
I'm sure they'll be for sale on reverb for $1200 each once a few have been delivered.![]()
It'd have to be a helluva unit for me to have interest since it's neither a pedal nor rack gear, which puts it in the Fender Reverb tank category of gigging gear hassle. They seem to have been highly touted in their original form but I've never seen or heard one in person.40w is reasonable. It solves an issue of space, was i the only one who read the specs on their site, i should have been reading about the limited number of units.
How about this?
Any idea when the release date is supposed to be? I'm not finding anything.Zakk’s been testing MXR’s own version of it-
Any idea when the release date is supposed to be? I'm not finding anything.
They want $1200 for the original on reverb....oof.That pic is literally all I’ve heard/seen about it so far, but it’s not a bad thing it’s in Zakk’s right as he’s got Dime’s OG unit in the rig to compare it to.
The PastFX unit is getting finished up or may already be, I’d imagine we’ll see that first.
They want $1200 for the original on reverb....oof.
I just wonder how good the doubler is on these. My hopes are probably excessively high.
Me neither but I "discovered" doubling for myself last year and really enjoy it as an always-on effect that doesn't really junk up or obscure my tone. Probably my favorite effect outside of just a good OD sound.I’m quite curious as well. It worked for Dime, but pretty much all gear that worked for Dime is stuff I wouldn’t use, despite loving that dude’s playing.
Me neither but I "discovered" doubling for myself last year and really enjoy it as an always-on effect that doesn't really junk up or obscure my tone. Probably my favorite effect outside of just a good OD sound.
I don't care all that much for obvious "effects" other than special case scenarios (hey I'm a blues guy) but the beauty of doubling is it gives your single notes that fatter, juicier sound without being apparent there is any effect being used i.e you don't notice it until it's turned off. Any delay with super short delay times can get you there. Might be worth a shot with your strat if you haven't tried playing with it yet. Hope you're good Drew!Actually, listening to all that Phil Sayce lately, he uses a slapback as a doubler I believe, really cool way of adding an effect but also, not really at the same time!
Dude he rips. Love his tone!Actually, listening to all that Phil Sayce lately, he uses a slapback as a doubler I believe, really cool way of adding an effect but also, not really at the same time!
Dude he rips. Love his tone!
I didn’t think I’d ever get into those kinds of tones and it’s really easy to dismiss him as an SRV clone/wannabe, but for some reason I get magnitudes more from Sayce’s playing and songwriting than I do anything SRV ever wrote and it let me really fall for those tones.
Dude’s on the total opposite spectrum of where my tone home has been, he lays into that bright ass Fender/single coil thing and makes it work. It almost sounds like he’s got a piezo pickup having it’s own output.
And shit like this, that Strat sounds bigger than any metal guitar I’ve ever heard, especially when he’s on the E, A and D strings. That whole room is filling up with low end.