Zachman":2fdxoafl said:
scottosan":2fdxoafl said:
ElectricVoodoo":2fdxoafl said:
Well worth the 6k if you ask me.
Hell, I'd take it in the ass if it meant me getting a cameron.
That’s the whole point. The only thing Cameron is the name on the amp. It’s preamp is “based” on but a scaled down version of Marks Jose mods and a Friedman powers section. This was not Marks circuit, nor did he build them.
Didn't you build a clone of one of Mark's amps? How does it sound? Have you gotten the chance to A/B in person against a Cameron?
fwiw, I have one of Mark's Jose mod Marshall SLP's (I've had a few), the Atomica, BE100, and a BE50 combo and I can get the Friedman tones on the Atomica, BUT I can't get the Atomica tone I like on the Friedmans nor on the Jose mod. It's in that regard that it really doesn't matter who the hell made this thing, it is AWESOMENESS.
My $.02
zach, first of all you can make make anything sound great.
i agree it doesn’t matter who built it. It’s a great circuit. I have no issues with the amp. Only that the real Cameron’s aren’t going for that much. I have only played a Brad era CCV. It sounded great. I had some help after my build to get it to more traditional Cameron specs. Form a technical standpoint if you look at the schematics for both the Atomica and the Old Bitch, Mark only shared the preamp design. Mark does a lot of unique stuff in the power amp section as well for added versatility, that’s missing in those amps. Not to say you aren’t getting Cameron tone from the amp, just you are missing a few extra bells and whistles that would otherwise be on one of his mods
As for the mod not sounding the same, the donor amp plays the biggest role in the inconsistency. As we know, Marshall used many different transformers, Capacitor specs, etc. not to mention the age of those component etc.
I’ll use the whole Dumble or Ken Fisher analogy. There are clones out there but they don’t demand the same price.