RockyStar
Well-known member
I have a non-powered rack unit incoming and was wondering what you are using to power your Kempers? What works well? What doesn't work well? Use it as a pre with an amp? Say the hell with it and return it upon arrival?
Yes, I agree 100% Clint…when I had a Kemper I used a Carvin Tube Power amp. It was the closest I felt to it actually being an amp in the room. There was something still off though.
I heard the powered Kemper was a bad decision for that exact reason so I went non powered. I want it to be as amp like as possible but am aware it is what it is as a unit itself. I am going to run it through 4x12 cab and not the powered cab. I don't mind buying something if it will make it work and be worth while sound wise but I am not going to try to polish a turd if that is what all this ends up being. I have the Boss Waza TAE and the Fryette Power Station. I have heard the Seymour Duncan 200 watt little power amp was decent with it. I have held out this long on these modelers I am almost tempted to return it when it arrives and just get more amps. The last thing I want to do is mess around trying to make this set up something it is not or can not be. Waste of time and money there so I would rather know up front.Hey Rocky!
I have the powered Kemper and the on-board 600 W power amplifier sucks…
The Kemper is an incredible tool for playing live and getting amazing sounds through a PA system, but the powered Kemper does not sound realistic through a 4X12 cabinet… (Not with the solid-state D power amplifier in the powered Kemper).
I have tried taking it out through into the return of my Bogner amplifiers, a wizard amplifier, they sound amazing!
If I were to buy a power amplifier for a non-powered Kemper, I would definitely buy the Fryette PowerStation.
Just be glad you didn’t buy the ‘powered Kemper’, I was expecting much more realistic tightness and real amplifier feel through my cabinets… Not so
The Kemper forum is cult like. I am not sure anybody there has played a tube amp in a live situation and has any idea what that feels like.Yes, I agree 100% Clint…
It just never completely gets there, close with a good tube power amplifier, but not quite close enough.
I found it extremely frustrating trying all kinds of different ways to get my powered Kemper to sound good on its own through 4x12 cabinets… If you go on the Kemper forums, they pretty much crucify you for saying that it doesn’t sound right thru cabs, looking for help and guidance…
but The powered Kemper through 4x12 cabinets, it doesn’t sound or feel right.
I don’t know, I basically came to the conclusion that most guys on the Kemper forum have never played a good tube amplifier cranked through a 4X12…
So, they have no idea what it’s even supposed to sound like.
So true, it's kinda insane. AXE guys are in that same category, true believers.The Kemper forum is cult like. I am not sure anybody there has played a tube amp in a live situation and has any idea what that feels like.
75%? I was hoping to be 90%+I've experimented a lot with my unpowered Kemper through solid state and tube power amps. It ranges from ok to pretty good, regardless of the endless tweaking options. It sounded 'best' with a DI profile played through the FX return of a VH4. And by best I mean 75% as good as a real amp. I know lots of folks say it's as good as the real thing, or so close you couldn't pick it but that's not been my experience at all.
It's perfect for the guy that wants 100's of decent sounds at the touch of a button. If you want a few awesome sounds, stick with amps.
Best of luck with it all.
I like that analogy and can relate to it. Knowing me and what I like and am after, I get the feeling I may have started a walk down a long, dead end road with this endeavor. I knew there would be a gap, I didn't expect the gap to be what I am hearing it may be. :/Yeah I always explain it like going to a concert or listening to a concert recording. Technically it's the same thing but it's really not
I could see them being even worse...lol.So true, it's kinda insane. AXE guys are in that same category, true believers.
YMMV of course, and don't take the word of some random forum dude of course! But for me, it's a no. No digital solution touches a good amp. And I'm very open to new tech and toys, not a stubborn 'old school is the only way' guy.75%? I was hoping to be 90%+
Sounds like I may be pissing in the wind and hoping not to get wet.
I believe this might be the reason some love it, and some don't quite so.Also 99% of the audience can't hear shit so....why bother![]()
I understand. I have been chewing on going this route for years and never have. I only considered doing so as the tech continues to improve and I figured a proper power section would make a significant difference on feel and response. Your comments just magnify a lot of the things I have heard/read over the years. The harsh reality is that modelers will never be true, proper amps.YMMV of course, and don't take the word of some random forum dude of course! But for me, it's a no. No digital solution touches a good amp. And I'm very open to new tech and toys, not a stubborn 'old school is the only way' guy.
In other news sex dolls aren't quite the same as the real thing, but don't mention that on the Axe or Kemper forum.
I get what you are saying and the idea behind what you are saying is why I decided to consider going down this path as a side option. From what you are saying, it sounds like the frfr makes a big difference. Is that indeed correct?I've been using a 10'' yamaha frfr with great results. Honestly, I do not miss my old tube amps, not a single one and i've had a bunch over the years.
Again the problem I see with most folks is that they are trying to replicate the 'in room' sound. You can achieve that with a profile that has a combination of mics to create that full thump in your chest. Also running profiles through poweramps and real cabs requires you to find a profile that allows you to work with just the preamp section. Not a full 'amp' into another poweramp situation.
BTW...Have any of you who use tube amps heard yourself through a regular PA at the local venue?Or have any of you really just mic'd up your amps/cabs and did you listen to what they really sound like mic'd up? Kemper, axe, helix, pod, QC these are all tools for live use/recording where most had simply been developed to cut cost for touring bands and gigging musicians.
If we assume that kemper and the likes are maybe 95-98% there depending on the profile but we're getting a consistent 95-98% each time we play live then i am absolutely fine losing those couple of %s. Because unless you have your own tech - with live amps you will just sound different each night due to mic placement. Also 99% of the audience can't hear shit so....why bother![]()