Digital Jams":1dmm2t6i said:
mentoneman":1dmm2t6i said:
SL was many times more sophisticated a musician than SRV
but SRV had tone, soul, catered to the blues traditions, and connected to more common folk.
the only time i saw shawn live was at NAMM this night:
and i was blown away by his tone as well as how totally incredibly he played.
guthrie, holdsworth, gambale, jason becker, yngwie, and racer x.....they all were able to play unimaginable things and blow me away and i've been fortunate enough to see them all in pretty intimate up close settings,
but what shawn played was so extreme it didn't make sense what i was seeing. i could not imagine someone playing with that physically demanding speed and complexity and precision, yet be so musical. he took his hero holdsworth and brought rock sensibility and right hand attack to it, and married some of the neoclassical yngwie thing to it as well as some eric johnson.
the centrifugal funk stuff shawn played when it came out was scoffed and looked down upon, tagged "video game noises". same with his first shrapnel stuff.
but by the time i saw him he had evolved into a full fledged monster.
This coming from a guy that saw the whole shred explosion come on the scene up close.
Pure shred Shane was the man, that Ibanez NAMM show where everyone from Gilbert to Timmons was on the same stage Lane just dominated, guyts were looking at each other speechless.
i should throw ej into that mix too.
i saw him at the coach house on the ah via musicom tour sitting with my feet literally against his side of the stage, and his tone and playing put me in a trance. perfection. after the encore my friend steve sitting next to me stood up and shook ej's hand as he came up from his bow that's how close we were.
something about anticipating a show/player so highly, and then having all your expectations not only met but blown away, on that cerebral level, makes you experience wonder or a thrill like a little kid on Christmas. Landau is like that but not shred..just TONE FOR DAYS AND NIGHTS>
on the SRV note i also saw him open for bryan adams and the police in hawaii, and the big diff was he played in front of 50k people and lane played in a tent at NAMM for 150? maybe? the tragic irony. i walked into the celestion tent one song into the set after leaving zachman to watch holdsworth, and there was a ton of room in this tent to mill around. but after a minute i was transfixed. the guy that shot the video of that gig was standing right next to me. i remember thinking how lucky that guy was to have a camera there because shawn crushed it. and how i wished bunny brunnel would turn his bass rig down because it was way too loud and obnoxious.