Hopefully I'm not coming off as thin-skinned on these amps - I mean hell, I own amps that I play and enjoy a lot more, it just seems weird when I have a 180 degree opinion on something like gain. Maybe Mine is a II without the silkscreen and it had the Hollywood Mod, I dunno, but it seems to have plenty of gain.
Reminds me of a JCM800 on steroids, personally... a 2203 or 2204. It is a bright amp, but it has some really cool tweaks, like the 50 or 100 watt setting for each channel... ditto with the rectification, that can be set differently for each channel too.
Not as much gain as a TSL, but a more vintage marshall and not so modern tone IMHO. I think it works well in a band context if you actually have a bass player you want to hear, but if you're cranking out detuned riffs by yourself and trying to make yourself shit from all the bass in your 4x12 cabs, it won't work for you.
I'm still not sure if I'm keeping mine - if I did, I'd probably put a depth control mod on it like I did my soldano HR 50+ and a lot of guys like to do to marshalls. That would add some of the low end punch these amps lack. If you listen to one of these back to back with a dual recto, they do seem a little deficient on the low end. Sure do blend in well in a mix though!
Pete