D
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steve_k":3hqmn0ge said:high impact newspaper
incredibly sorry for the situation you're in but thats just hilarious
must be some advanced israeli technology

steve_k":3hqmn0ge said:high impact newspaper
steve_k":1lzqva6o said:To answer a bunch of questions:
- With the Gibson lawsuit, I was advised to be a little concerned of shipping the guitar out/in as there may be a Customs flag and could be confiscated.
- Gil is not covering the work. He considers his job to be done.
- I am covering the repair work and shipping.
- Gil is still making 59 Replica's. I was led to believe otherwise.
- Replacing the set neck requires a lot of work and refinishing. Same amount of time and effort to build a new one. That said, I am on my own.
- Refund not possible. He blames the shipping company. It was suggested by Gil that I make a fraudulent claim against them. What?
- I still have a couple of cards to play.
- Gil was pretty good to work with, right up until the point of final payment.
- Right now, I wouldn't let him change the strings on my fucking guitar.
- My asshole still hurts from the reaming and no lube.
steve_k":ohcx7b29 said:To answer a bunch of questions:
- With the Gibson lawsuit, I was advised to be a little concerned of shipping the guitar out/in as there may be a Customs flag and could be confiscated.
- Gil is not covering the work. He considers his job to be done.
- I am covering the repair work and shipping.
- Gil is still making 59 Replica's. I was led to believe otherwise.
- Replacing the set neck requires a lot of work and refinishing. Same amount of time and effort to build a new one. That said, I am on my own.
- Refund not possible. He blames the shipping company. It was suggested by Gil that I make a fraudulent claim against them. What?
- I still have a couple of cards to play.
- Gil was pretty good to work with, right up until the point of final payment.
- Right now, I wouldn't let him change the strings on my fucking guitar.
- My asshole still hurts from the reaming and no lube.
I guess I just see a big difference to Gibson between, say, Edwards stealing many more potential customers for the normal USA line of LPs and Yaron grabbing a much, much smaller share of Custom Shop customers. Each is doing the same thing, but Edwards costs Gibson FAR more if you ask me. Tons of people know Edwards and they have the bucks to spend $800 instead of $1300+ for the Gibson USA. Seems they are losing way more money there. Also Yaron is considerably more expensive than the Gibson Custom Shop (except the artist stuff where they have to pay the artist and their margin is reduced anyway) and almost no one knows about him. He's building a handful of guitars a year for people that probably already own or have owned a Historic anyway and wouldn't have bought another. I think your logic is backwards. I'd concentrate on Edwards (if I had a leg to stand on, which they don't anyway because it is being done outside the USA) because they are losing WAY more there than with a guy like Yaron.rlord1974":1kmpxyk3 said:sah5150":1kmpxyk3 said:As far as making as Les Paul clone, I think it's hilarious that guys are talking about "stealing a design" here. Please... it is Gibson that is being ridiculous trying to protect a 60+ year old design NOW. There have been a million Les Paul clones made by a million guitar companies. ..... Everyone sell your Edwards LPs then. .....Singling out Yaron as stealing is ridiculous.
I agree with you for the most part, Steve. However, I think Gibson would be less inclined to go after a company doing lower-cost knock offs, as the people buying them are typically doing so because they can't or do not want to spend the dough on the real deal. That's not a knock on the knock-offs, as a lot of them are top notch guitars (e.g., Edwards). However, Gil Yaron is doing something quite different - he is stealing potential customers from the high dollar, high margin Gibson Custom Shop products. I'm quite sure Gibson Corporate gets their panties in a bunch much more over this than the lesser-expensive, budget-minded knock-offs that, frankly, are likely not even "stealing" customers away from Gibson for the reasons previously outlined.....
With all do respect, bro - that's f'n ridiculous. You chastise Yaron as "fucking lame, lazy and very low class" for making a true to the 50s method (that Gibson won't do) Gibson Les Paul clone and then praise Lawrence as a " true creative designer" for making an admittedly gorgeous Gibson Explorer clone with a different headstock and intricate inlays. Please tell me you're joking?ejecta":3kpdvnpl said:sah5150":3kpdvnpl said:As far as making as Les Paul clone, I think it's hilarious that guys are talking about "stealing a design" here. Please... it is Gibson that is being ridiculous trying to protect a 60+ year old design NOW. There have been a million Les Paul clones made by a million guitar companies. Singling out Yaron as stealing is ridiculous. It's public domain at this point even with a patent and let's face it their isn't one.
True.... may not be "illegal" but IMHO it's really fucking lame, lazy, and very low class.
Those Ken Lawrence's that were posted... to me even though they are not my thing are freaking awesome and from a true creative designer and not from a thief.
sah5150":2gxlnrfa said:With all do respect, bro - that's f'n ridiculous. You chastise Yaron as "fucking lame, lazy and very low class" for making a true to the 50s method (that Gibson won't do) Gibson Les Paul clone and then praise Lawrence as a " true creative designer" for making an admittedly gorgeous Gibson Explorer clone with a different headstock and intricate inlays. Please tell me your joking?ejecta":2gxlnrfa said:sah5150":2gxlnrfa said:As far as making as Les Paul clone, I think it's hilarious that guys are talking about "stealing a design" here. Please... it is Gibson that is being ridiculous trying to protect a 60+ year old design NOW. There have been a million Les Paul clones made by a million guitar companies. Singling out Yaron as stealing is ridiculous. It's public domain at this point even with a patent and let's face it their isn't one.
True.... may not be "illegal" but IMHO it's really fucking lame, lazy, and very low class.
Those Ken Lawrence's that were posted... to me even though they are not my thing are freaking awesome and from a true creative designer and not from a thief.![]()
![]()
Steve
All I can say is that I think it's ridiculous that changing a few things makes Lawrence a "true creative designer" and going back to 50s techniques to build an LP that Gibson won't (and that a few people obviously want), without changing a few things makes Yaron "fucking lame, lazy and very low class". No one has put out an Explorer clone with a different neck profile, headstock, or inlays before? You're reaching brother - that's also ridiculous. Yaron has designed his own completely original guitar called the Bone as well. Very cool instrument that has less to do with a Les Paul than Lawrence's has to do with an Explorer... Making a guitar with an Explorer body is not original. He's doing it better than anyone else and I'd love to own one, but it ain't original...ejecta":3lt0ux9g said:sah5150":3lt0ux9g said:With all do respect, bro - that's f'n ridiculous. You chastise Yaron as "fucking lame, lazy and very low class" for making a true to the 50s method (that Gibson won't do) Gibson Les Paul clone and then praise Lawrence as a " true creative designer" for making an admittedly gorgeous Gibson Explorer clone with a different headstock and intricate inlays. Please tell me your joking?ejecta":3lt0ux9g said:sah5150":3lt0ux9g said:As far as making as Les Paul clone, I think it's hilarious that guys are talking about "stealing a design" here. Please... it is Gibson that is being ridiculous trying to protect a 60+ year old design NOW. There have been a million Les Paul clones made by a million guitar companies. Singling out Yaron as stealing is ridiculous. It's public domain at this point even with a patent and let's face it their isn't one.
True.... may not be "illegal" but IMHO it's really fucking lame, lazy, and very low class.
Those Ken Lawrence's that were posted... to me even though they are not my thing are freaking awesome and from a true creative designer and not from a thief.![]()
![]()
Steve
The KL's at least change some things up like the headstock, inlays, neck profile etc that no one has done before. Yes it's an explorer shaped inspired body but the rest is very different. But Yaron is just changing the logo in which he uses the same font. I can respect the skill it takes to build them by hand but I don't respect that he makes total copies to the point of even using the same font in the headstock. Every picture you see of them people hide the headstock. Yes IMHO that's totally lame, lazy, a being a thief. If you are that good of a luthier... design your own and change some things up. Be original.... not a hack.
Bob Savage":hibdsg27 said:Shawn Lutz":hibdsg27 said:I'd be inclined send a copy of the invoice to Gibson's Legal team as someone is out there building 59 replicas and logoing them as Gibson's![]()
So these are being logo'd as Gibson? I asked that in another thread and the answer was they use the Gibson typeset but say Gil Yaron.
steve_k":19wcrjtm said:Here's a shot of the high impact newspaper that stabilized the guitar in its case and a picture of the box. The single ply box was shaped for the case and designed to transport an empty case - not a case with a 9lb guitar in it and provide any impact protection. He might as well have just stuck an address label on the case and forgot the box.
![]()
steve_k":3h7uu3rr said:To answer a bunch of questions:
- With the Gibson lawsuit, I was advised to be a little concerned of shipping the guitar out/in as there may be a Customs flag and could be confiscated.
- Gil is not covering the work. He considers his job to be done.
- I am covering the repair work and shipping.
- Gil is still making 59 Replica's. I was led to believe otherwise.
- Replacing the set neck requires a lot of work and refinishing. Same amount of time and effort to build a new one. That said, I am on my own.
- Refund not possible. He blames the shipping company. It was suggested by Gil that I make a fraudulent claim against them. What?
- I still have a couple of cards to play.
- Gil was pretty good to work with, right up until the point of final payment.
- Right now, I wouldn't let him change the strings on my fucking guitar.
- My asshole still hurts from the reaming and no lube.
He's an Israeli living in Israel. Seems that could be difficult...snowdog":266aun5p said:steve_k":266aun5p said:To answer a bunch of questions:
- With the Gibson lawsuit, I was advised to be a little concerned of shipping the guitar out/in as there may be a Customs flag and could be confiscated.
- Gil is not covering the work. He considers his job to be done.
- I am covering the repair work and shipping.
- Gil is still making 59 Replica's. I was led to believe otherwise.
- Replacing the set neck requires a lot of work and refinishing. Same amount of time and effort to build a new one. That said, I am on my own.
- Refund not possible. He blames the shipping company. It was suggested by Gil that I make a fraudulent claim against them. What?
- I still have a couple of cards to play.
- Gil was pretty good to work with, right up until the point of final payment.
- Right now, I wouldn't let him change the strings on my fucking guitar.
- My asshole still hurts from the reaming and no lube.
I would sue this Asshole.![]()
sah5150":jgycnc2y said:All I can say is that I think it's ridiculous that changing a few things makes Lawrence a "true creative designer" and going back to 50s techniques to build an LP that Gibson won't (and that a few people obviously want), without changing a few things makes Yaron "fucking lame, lazy and very low class". No one has put out an Explorer clone with a different neck profile, headstock, or inlays before? You're reaching brother - that's also ridiculous. Yaron has designed his own completely original guitar called the Bone as well. Very cool instrument that has less to do with a Les Paul than Lawrence's has to do with an Explorer... Making a guitar with an Explorer body is not original. He's doing it better than anyone else and I'd love to own one, but it ain't original...ejecta":jgycnc2y said:sah5150":jgycnc2y said:With all do respect, bro - that's f'n ridiculous. You chastise Yaron as "fucking lame, lazy and very low class" for making a true to the 50s method (that Gibson won't do) Gibson Les Paul clone and then praise Lawrence as a " true creative designer" for making an admittedly gorgeous Gibson Explorer clone with a different headstock and intricate inlays. Please tell me your joking?ejecta":jgycnc2y said:sah5150":jgycnc2y said:As far as making as Les Paul clone, I think it's hilarious that guys are talking about "stealing a design" here. Please... it is Gibson that is being ridiculous trying to protect a 60+ year old design NOW. There have been a million Les Paul clones made by a million guitar companies. Singling out Yaron as stealing is ridiculous. It's public domain at this point even with a patent and let's face it their isn't one.
True.... may not be "illegal" but IMHO it's really fucking lame, lazy, and very low class.
Those Ken Lawrence's that were posted... to me even though they are not my thing are freaking awesome and from a true creative designer and not from a thief.![]()
![]()
Steve
The KL's at least change some things up like the headstock, inlays, neck profile etc that no one has done before. Yes it's an explorer shaped inspired body but the rest is very different. But Yaron is just changing the logo in which he uses the same font. I can respect the skill it takes to build them by hand but I don't respect that he makes total copies to the point of even using the same font in the headstock. Every picture you see of them people hide the headstock. Yes IMHO that's totally lame, lazy, a being a thief. If you are that good of a luthier... design your own and change some things up. Be original.... not a hack.
Steve
sah5150":2bb9hb8j said:As far as making as Les Paul clone, I think it's hilarious that guys are talking about "stealing a design" here. Please... it is Gibson that is being ridiculous trying to protect a 60+ year old design NOW. There have been a million Les Paul clones made by a million guitar companies. Singling out Yaron as stealing is ridiculous. It's public domain at this point even with a patent and let's face it their isn't one. Everyone sell your Edwards LPs then...
Absolutely! I am so happy to see someone I can have a conversation with where we disagree that doesn't end up up in immature personal attacks. Very refreshing!ejecta":7wo4fqdz said:sah5150":7wo4fqdz said:All I can say is that I think it's ridiculous that changing a few things makes Lawrence a "true creative designer" and going back to 50s techniques to build an LP that Gibson won't (and that a few people obviously want), without changing a few things makes Yaron "fucking lame, lazy and very low class". No one has put out an Explorer clone with a different neck profile, headstock, or inlays before? You're reaching brother - that's also ridiculous. Yaron has designed his own completely original guitar called the Bone as well. Very cool instrument that has less to do with a Les Paul than Lawrence's has to do with an Explorer... Making a guitar with an Explorer body is not original. He's doing it better than anyone else and I'd love to own one, but it ain't original...ejecta":7wo4fqdz said:sah5150":7wo4fqdz said:With all do respect, bro - that's f'n ridiculous. You chastise Yaron as "fucking lame, lazy and very low class" for making a true to the 50s method (that Gibson won't do) Gibson Les Paul clone and then praise Lawrence as a " true creative designer" for making an admittedly gorgeous Gibson Explorer clone with a different headstock and intricate inlays. Please tell me your joking?ejecta":7wo4fqdz said:sah5150":7wo4fqdz said:As far as making as Les Paul clone, I think it's hilarious that guys are talking about "stealing a design" here. Please... it is Gibson that is being ridiculous trying to protect a 60+ year old design NOW. There have been a million Les Paul clones made by a million guitar companies. Singling out Yaron as stealing is ridiculous. It's public domain at this point even with a patent and let's face it their isn't one.
True.... may not be "illegal" but IMHO it's really fucking lame, lazy, and very low class.
Those Ken Lawrence's that were posted... to me even though they are not my thing are freaking awesome and from a true creative designer and not from a thief.![]()
![]()
Steve
The KL's at least change some things up like the headstock, inlays, neck profile etc that no one has done before. Yes it's an explorer shaped inspired body but the rest is very different. But Yaron is just changing the logo in which he uses the same font. I can respect the skill it takes to build them by hand but I don't respect that he makes total copies to the point of even using the same font in the headstock. Every picture you see of them people hide the headstock. Yes IMHO that's totally lame, lazy, a being a thief. If you are that good of a luthier... design your own and change some things up. Be original.... not a hack.
Steve
Cool. We can agree to disagree.![]()
Than they REALLY should be going after Edwards!snowdog":20epzg4j said:sah5150":20epzg4j said:As far as making as Les Paul clone, I think it's hilarious that guys are talking about "stealing a design" here. Please... it is Gibson that is being ridiculous trying to protect a 60+ year old design NOW. There have been a million Les Paul clones made by a million guitar companies. Singling out Yaron as stealing is ridiculous. It's public domain at this point even with a patent and let's face it their isn't one. Everyone sell your Edwards LPs then...
Gibson only goes after those whose make better ones than they do.
sah5150":1r8au4ek said:Absolutely! I am so happy to see someone I can have a conversation with where we disagree that doesn't end up up in immature personal attacks. Very refreshing!ejecta":1r8au4ek said:sah5150":1r8au4ek said:All I can say is that I think it's ridiculous that changing a few things makes Lawrence a "true creative designer" and going back to 50s techniques to build an LP that Gibson won't (and that a few people obviously want), without changing a few things makes Yaron "fucking lame, lazy and very low class". No one has put out an Explorer clone with a different neck profile, headstock, or inlays before? You're reaching brother - that's also ridiculous. Yaron has designed his own completely original guitar called the Bone as well. Very cool instrument that has less to do with a Les Paul than Lawrence's has to do with an Explorer... Making a guitar with an Explorer body is not original. He's doing it better than anyone else and I'd love to own one, but it ain't original...ejecta":1r8au4ek said:sah5150":1r8au4ek said:With all do respect, bro - that's f'n ridiculous. You chastise Yaron as "fucking lame, lazy and very low class" for making a true to the 50s method (that Gibson won't do) Gibson Les Paul clone and then praise Lawrence as a " true creative designer" for making an admittedly gorgeous Gibson Explorer clone with a different headstock and intricate inlays. Please tell me your joking?ejecta":1r8au4ek said:sah5150":1r8au4ek said:As far as making as Les Paul clone, I think it's hilarious that guys are talking about "stealing a design" here. Please... it is Gibson that is being ridiculous trying to protect a 60+ year old design NOW. There have been a million Les Paul clones made by a million guitar companies. Singling out Yaron as stealing is ridiculous. It's public domain at this point even with a patent and let's face it their isn't one.
True.... may not be "illegal" but IMHO it's really fucking lame, lazy, and very low class.
Those Ken Lawrence's that were posted... to me even though they are not my thing are freaking awesome and from a true creative designer and not from a thief.![]()
![]()
Steve
The KL's at least change some things up like the headstock, inlays, neck profile etc that no one has done before. Yes it's an explorer shaped inspired body but the rest is very different. But Yaron is just changing the logo in which he uses the same font. I can respect the skill it takes to build them by hand but I don't respect that he makes total copies to the point of even using the same font in the headstock. Every picture you see of them people hide the headstock. Yes IMHO that's totally lame, lazy, a being a thief. If you are that good of a luthier... design your own and change some things up. Be original.... not a hack.
Steve
Cool. We can agree to disagree.![]()
![]()
Bastard!ejecta":1s7gjeq3 said:sah5150":1s7gjeq3 said:Absolutely! I am so happy to see someone I can have a conversation with where we disagree that doesn't end up up in immature personal attacks. Very refreshing!ejecta":1s7gjeq3 said:sah5150":1s7gjeq3 said:All I can say is that I think it's ridiculous that changing a few things makes Lawrence a "true creative designer" and going back to 50s techniques to build an LP that Gibson won't (and that a few people obviously want), without changing a few things makes Yaron "fucking lame, lazy and very low class". No one has put out an Explorer clone with a different neck profile, headstock, or inlays before? You're reaching brother - that's also ridiculous. Yaron has designed his own completely original guitar called the Bone as well. Very cool instrument that has less to do with a Les Paul than Lawrence's has to do with an Explorer... Making a guitar with an Explorer body is not original. He's doing it better than anyone else and I'd love to own one, but it ain't original...ejecta":1s7gjeq3 said:sah5150":1s7gjeq3 said:With all do respect, bro - that's f'n ridiculous. You chastise Yaron as "fucking lame, lazy and very low class" for making a true to the 50s method (that Gibson won't do) Gibson Les Paul clone and then praise Lawrence as a " true creative designer" for making an admittedly gorgeous Gibson Explorer clone with a different headstock and intricate inlays. Please tell me your joking?ejecta":1s7gjeq3 said:sah5150":1s7gjeq3 said:As far as making as Les Paul clone, I think it's hilarious that guys are talking about "stealing a design" here. Please... it is Gibson that is being ridiculous trying to protect a 60+ year old design NOW. There have been a million Les Paul clones made by a million guitar companies. Singling out Yaron as stealing is ridiculous. It's public domain at this point even with a patent and let's face it their isn't one.
True.... may not be "illegal" but IMHO it's really fucking lame, lazy, and very low class.
Those Ken Lawrence's that were posted... to me even though they are not my thing are freaking awesome and from a true creative designer and not from a thief.![]()
![]()
Steve
The KL's at least change some things up like the headstock, inlays, neck profile etc that no one has done before. Yes it's an explorer shaped inspired body but the rest is very different. But Yaron is just changing the logo in which he uses the same font. I can respect the skill it takes to build them by hand but I don't respect that he makes total copies to the point of even using the same font in the headstock. Every picture you see of them people hide the headstock. Yes IMHO that's totally lame, lazy, a being a thief. If you are that good of a luthier... design your own and change some things up. Be original.... not a hack.
Steve
Cool. We can agree to disagree.![]()
![]()
Well in all honesty I changed it from something that could have been taken personal. No need to go down that road.
sah5150":1j9bd3if said:Bastard!ejecta":1j9bd3if said:sah5150":1j9bd3if said:Absolutely! I am so happy to see someone I can have a conversation with where we disagree that doesn't end up up in immature personal attacks. Very refreshing!ejecta":1j9bd3if said:sah5150":1j9bd3if said:All I can say is that I think it's ridiculous that changing a few things makes Lawrence a "true creative designer" and going back to 50s techniques to build an LP that Gibson won't (and that a few people obviously want), without changing a few things makes Yaron "fucking lame, lazy and very low class". No one has put out an Explorer clone with a different neck profile, headstock, or inlays before? You're reaching brother - that's also ridiculous. Yaron has designed his own completely original guitar called the Bone as well. Very cool instrument that has less to do with a Les Paul than Lawrence's has to do with an Explorer... Making a guitar with an Explorer body is not original. He's doing it better than anyone else and I'd love to own one, but it ain't original...ejecta":1j9bd3if said:sah5150":1j9bd3if said:With all do respect, bro - that's f'n ridiculous. You chastise Yaron as "fucking lame, lazy and very low class" for making a true to the 50s method (that Gibson won't do) Gibson Les Paul clone and then praise Lawrence as a " true creative designer" for making an admittedly gorgeous Gibson Explorer clone with a different headstock and intricate inlays. Please tell me your joking?ejecta":1j9bd3if said:sah5150":1j9bd3if said:As far as making as Les Paul clone, I think it's hilarious that guys are talking about "stealing a design" here. Please... it is Gibson that is being ridiculous trying to protect a 60+ year old design NOW. There have been a million Les Paul clones made by a million guitar companies. Singling out Yaron as stealing is ridiculous. It's public domain at this point even with a patent and let's face it their isn't one.
True.... may not be "illegal" but IMHO it's really fucking lame, lazy, and very low class.
Those Ken Lawrence's that were posted... to me even though they are not my thing are freaking awesome and from a true creative designer and not from a thief.![]()
![]()
Steve
The KL's at least change some things up like the headstock, inlays, neck profile etc that no one has done before. Yes it's an explorer shaped inspired body but the rest is very different. But Yaron is just changing the logo in which he uses the same font. I can respect the skill it takes to build them by hand but I don't respect that he makes total copies to the point of even using the same font in the headstock. Every picture you see of them people hide the headstock. Yes IMHO that's totally lame, lazy, a being a thief. If you are that good of a luthier... design your own and change some things up. Be original.... not a hack.
Steve
Cool. We can agree to disagree.![]()
![]()
Well in all honesty I changed it from something that could have been taken personal. No need to go down that road.![]()
Steve
sah5150":2hr7dv9x said:Absolutely! I am so happy to see someone I can have a conversation with where we disagree that doesn't end up up in immature personal attacks. Very refreshing!![]()