Digital Jams
New member
I have ZERO vested in anything related to this thread and I am "butthurt"
Ok who is this guy? I know he is not new to the forum party

Ok who is this guy? I know he is not new to the forum party
Let's look at it, shall we?ttosh":2hu7k7q6 said:^^ This is what I am hearing also, nobody really is defending the clip in a zealot type of way, they are responding to comments you (Rouge) have made that when challenged you misdirect so you do not have give an answer. I did not like the clip as much as some of the others but I understand why Mark redid it, that makes sense and is not odd or funny. Sounds like you need to go back through your posts and see some of the definitive things you have said and rethink them. Or just keep posting and looking ignorant! I do not need a hug for the record!!
Rezamatix":2hu7k7q6 said:Sounds great. Thats enough TONE for ANYONE...
Rogue":2hu7k7q6 said:Assuming you have enough stuff to get it wet enough.![]()
![]()
Don was a man among men, for sure.Mark Day":36kqb84l said:Yes manly...lol. No reach arounds allowed, Don maybe, but not you buddy...lol.
Mark
sah5150":3i9wq9sx said:You're reading comprehension is poor. Did you read my post? I like listening to close-mic'd guitar sounds because I listen to them all the time when I record and I don't expect it to sound like the amp in the room or a produced clip. Most people who do not do a lot of recording will think they sound like shitRogue":3i9wq9sx said:[So for the record, are you saying a close miced speaker has never sounded good without post work done on it?
A close mic'd speaker will never sound like the amp in the room. Every recorded guitar tone you've ever loved has been ambienced, EQ'd, mastered, etc. to either make it sound close, better or different than the amp sounded in the room. No recorded guitar tone you've ever loved was just a close mic'd speaker with no post.
You said that it was funny that people needed to add post to a close mic'd guitar clip to make it sound "good". That makes it clear you do not understand anything about recording guitars. It makes no sense, since that is what EVERy producer does...
Have I cleared it up for you now? I thought so.Rogue":3i9wq9sx said:What have I said that makes no sense?
Steve
Much of what everyone here does. My gear is a DSL and an old focus 3000 frankenstein guitar. No great shakes for sure, but it gets me through the day.jcj":3s34fxze said:Rogue- I'll try again, because there's obviously a lot going on here![]()
Genuine question here, in all honesty; what type of gear do you like/play?
I don't mind the Cameron at all. I also think the AxeFX is easily the best modeller out there, perhaps lightyears beyond it's competitors. I had one and I didn't gell with it. I don't have a problem with that either, but I do get a kick out of the reationary AxeFX police, which apparently, they are joined by reactionary Cameron police.jcj":3s34fxze said:I'm aware that you don't like anything Cameron or Axe Fx, and that's cool, but I'd honestly like some perspective.
What do you dig?
From my brief interaction with you, I can tell that you are the kind of dude that can't just admit they made a mistake or said something dumb and move on. You'll keep twisting things, deflecting and digging and trying to prove that you didn't do what you did. I could answer you point by point as I have until now, but I see that will be fruitless... so I'm doneRogue":e06dwv97 said:My reading comprehension is fine. I'm getting a gauge of your beliefs. So, with all hoopla, you LIKE listening to untouched post miced clips.sah5150":e06dwv97 said:You're reading comprehension is poor. Did you read my post? I like listening to close-mic'd guitar sounds because I listen to them all the time when I record and I don't expect it to sound like the amp in the room or a produced clip. Most people who do not do a lot of recording will think they sound like shit
Tell me sah5150, do you like some closed miced clips more than others? Have you heard close miced clips that sound "good"? Let's get it on the table. Pretty simple questions.
No, I've never said ANYTHING about sounding like an amp in the room. That is all pontification on your part.sah5150":e06dwv97 said:A close mic'd speaker will never sound like the amp in the room. Every recorded guitar tone you've ever loved has been ambienced, EQ'd, mastered, etc. to either make it sound close, better or different than the amp sounded in the room. No recorded guitar tone you've ever loved was just a close mic'd speaker with no post.
You said that it was funny that people needed to add post to a close mic'd guitar clip to make it sound "good". That makes it clear you do not understand anything about recording guitars. It makes no sense, since that is what EVERy producer does...
Look, here's the facts that for whatever reason you have a problem with...
I didn't think the clip was all the great. A few others didn't either.
Mark added some processes in post, to "make it better".
Someone commented on how that was awesome tone for anyone.
I said "yes, as long as you have enough stuff to get it wet enough." Even with a cute smiley face.
From their, it has went downhill. No one has criticized Mark or his technique, but for some reason, there has been a bunch of burrhurt over it.
Don't leave yet, bud. I want you to answer these few questions...sah5150":2ze0ow9k said:From my brief interaction with you, I can tell that you are the kind of dude that can't just admit they made a mistake or said something dumb and move on. You'll keep twisting things, deflecting and digging and trying to prove that you didn't do what you did. I could answer you point by point as I have until now, but I see that will be fruitless... so I'm done
Once again, you said you find it funny that one would add post to a close mic'd guitar clip to make it sound "good", when that is what EVERY professional producer does and that is what you hear on every professionally recorded guitar tone you've ever worshipped. That was a dumb thing to say. You will never admit this though, because that is just how you operate. Continue to post and respond, but I have nothing more to say. I've said all that needs to be said and you will never hear it.
Steve
Rogue":1xm86a99 said:Much of what everyone here does. My gear is a DSL and an old focus 3000 frankenstein guitar. No great shakes for sure, but it gets me through the day.jcj":1xm86a99 said:Rogue- I'll try again, because there's obviously a lot going on here![]()
Genuine question here, in all honesty; what type of gear do you like/play?
That said, I'm awaiting the opportunity to pick up either a superlead or 2204, again...amps I sold and wished I still had.
I don't mind the Cameron at all. I also think the AxeFX is easily the best modeller out there, perhaps lightyears beyond it's competitors. I had one and I didn't gell with it. I don't have a problem with that either, but I do get a kick out of the reationary AxeFX police, which apparently, they are joined by reactionary Cameron police.jcj":1xm86a99 said:I'm aware that you don't like anything Cameron or Axe Fx, and that's cool, but I'd honestly like some perspective.
What do you dig?
I have said nothing bad about the Cameron at all. I've just said what every person that has jumped on me has said....it sounds better with post. Read it all with that in mind.
Now you tell me, WTF?![]()
![]()
As I said, I don't keep a list, but when I hear something I know has been untouched, I'll send it to you immediately.Mark Day":3cxqonmh said:i still want to hear one that sounds good, because if the question was directed at me: "Mark have you heard a good close miked dry, raw, no post clip that sounds good?" my answer is NO, I haven't......please someone show me one....anyone??
I want one without a $1000+ ribbon mic, one into a less than $1000 mic pre. Not one with a R121 Ribbon and multiple mics at various distances into Neve strips to analog tape.
Pretty please?
Mark
Alright then. Tell me where I crossed the line? The post, pleasettosh":10db9lrj said:Not one thing said to you in a negative light has been about you not liking the clip. This seems very difficult for you to see and you seem tho want to make out look like that. However if you read through each post the issue is with your other comments. Maybe you see it differently, so be it. Not sure how else to explain if you don't get it by now your not going to. For the record my posts are not fanboy Cameron posts, you can review my posting history to see this. I do appreciate Mark and the time he takes to make clips for us, he does a great job and is a great player. Anyhow moving on......
Rogue":2z0dj0f7 said:Much of what everyone here does. My gear is a DSL and an old focus 3000 frankenstein guitar. No great shakes for sure, but it gets me through the day.jcj":2z0dj0f7 said:Rogue- I'll try again, because there's obviously a lot going on here![]()
Genuine question here, in all honesty; what type of gear do you like/play?
That said, I'm awaiting the opportunity to pick up either a superlead or 2204, again...amps I sold and wished I still had.
I don't mind the Cameron at all. I also think the AxeFX is easily the best modeller out there, perhaps lightyears beyond it's competitors. I had one and I didn't gell with it. I don't have a problem with that either, but I do get a kick out of the reationary AxeFX police, which apparently, they are joined by reactionary Cameron police.jcj":2z0dj0f7 said:I'm aware that you don't like anything Cameron or Axe Fx, and that's cool, but I'd honestly like some perspective.
What do you dig?
I have said nothing bad about the Cameron at all. I've just said what every person that has jumped on me has said....it sounds better with post. Read it all with that in mind.
Now you tell me, WTF?![]()
![]()
Mark Day":3mw0tfxt said:i still want to hear one that sounds good
DSLs are alright. They lack the magic of the older stuff though.jcj":2mihun4o said:Thanks for the clarification, I appreciate the reply.
Nothing wrong with a 2204 (or DSL for that matter).
Yeah, I do.jcj":2mihun4o said:I think the reason you're catching a lot of shit, is that you DO seem to jump into threads involving stuff you don't dig, and have no issue expressing your thoughts (sometimes repeatedly).
Eventually, that's bound to start the shit storm, and in this case, it might just be cumulative.![]()
![]()
Who suggested a miced speaker sounds like an amp in the room? Can you track the down, please?glip22":27y5nkxd said:Mark, Dont sweat any of it. This is all good for Cameron amps publicity. When you do a Google search R_T and Cameron comes up. The people being negative are actually helping the amp line. Everyone knows a close micd clip without any post is not represenatative of an amp in the room and sounds like shit. This is why I stand away from my cab and off center. WTF? Did an influx of retards come over here lately.
Mark Day":2yubzvnn said:i still want to hear one that sounds good, because if the question was directed at me: "Mark have you heard a good close miked dry, raw, no post clip that sounds good?" my answer is NO, I haven't......please someone show me one....anyone??
I want one without a $1000+ ribbon mic, one into a less than $1000 mic pre. Not one with a R121 Ribbon and multiple mics at various distances into Neve strips to analog tape.
Pretty please?
Mark