Jakem
Well-known member
Forgot to thank You all for the advise.
Jakem
Well-known member
Anyone using this? https://mlcamps.com/en/guitar-systems/39-dual-stereo-line-mixer-mkii.html
bste328
Active member
I did! it worked well for stereo application. Their stuff is pretty solid.
Might as well try the Suhr MiniMix II (https://www.suhr.com/product/minimix-ii/) or the RedSeven Amplification one (https://www.redseven-amplification.com/pedals/mini-line-mixer/). I guess you have some choices between these 3.
Jakem
Well-known member
Ordered a Redseven Multi Stereo Line Mixer and bought an Eventide Eclipse 2 weeks ago. Still want to get a Fulltone TERC, Lexicon PCM81, Yamaha SPX90 and a DBX 160A/X. Not easy ones to come by in mint condition if at all. 
Jakem
Well-known member
Been playing IIC+ -> Suhr RLIR -> Eclipse -> Genelecs and the stereo effects are sounding insanely good!
Jakem
Well-known member
There is no going back to mono setup after this.
mentoneman
Well-known member
stereo is a great portable intro into the rack world. used mine live for 7-8 years.
8 sp skb triaxis/tc/rockman rack, separate 4 sp power 395 amp rack, 2 EV 1x12s, DMC midi footcontroller.
delay panning and trem, stereo chorusing, leslie all sound huge in stereo and if home use is the final goal, you’re good. studio monitors and frfr as wet speakers are cool for delivering all the resolution your effects offer, but can also be too stiff and bright versus the give and roll off of guitar speaker cabs which we gtr players are more accustomed to. the results between frfr brands are vast.
live, i found w/d or wdw worked best to remain present in the mix and preserving that tight direct stability of the dry and adding the right amount if sauce to it.
8 sp skb triaxis/tc/rockman rack, separate 4 sp power 395 amp rack, 2 EV 1x12s, DMC midi footcontroller.
delay panning and trem, stereo chorusing, leslie all sound huge in stereo and if home use is the final goal, you’re good. studio monitors and frfr as wet speakers are cool for delivering all the resolution your effects offer, but can also be too stiff and bright versus the give and roll off of guitar speaker cabs which we gtr players are more accustomed to. the results between frfr brands are vast.
live, i found w/d or wdw worked best to remain present in the mix and preserving that tight direct stability of the dry and adding the right amount if sauce to it.
Shevek
Well-known member
I used to run my IIC+ into a G-System, "dry" (only pre-gain effects) back into the IIC+, then a 4x12. Then the stereo outs of the G-System fed into a Stereo Simul 295, which powered 2 more 4x12s (stereo wet).
This setup sounded glorious and was super fun to play! For live gigs, it was ridiculous, overkill, too big and heavy, took too long to set up, and had too many possible failure points. Eventually sold the 295 and 2 of the cabs. I really like my Kemper
This setup sounded glorious and was super fun to play! For live gigs, it was ridiculous, overkill, too big and heavy, took too long to set up, and had too many possible failure points. Eventually sold the 295 and 2 of the cabs. I really like my Kemper
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