
ghosty999
Well-known member
We all have them... so lets hear them!
(if you are emotionally affected by the opinions here, then please go outside for a walk and re-evaluate your priorities)
- Dimebags tone sounded like a fizz mess to me. The SS Randall sound was terrible especially when in the context of shredding pentatonics. That fizzy "insane on Line6 spider" sound never got me excited to hear in a mix, especially when he had access to 5051/6505, XXX, Mesa Rectos... Purists will say there is some ingenious reason behind it and it was all intentional but I don't buy that. Put me in a studio half cut with girls, drink, drugs etc and I'd probably dial in a tone I was happy with on a Roland Cube
- Dragging extremely high end gear to a small/medium venue has diminishing returns. Once your tone has been run through the desk and crappy PA system it probably has lost any of the nuances you hear at home, and not 1 single person in the whole venue would know if you switched to an AxeFX Std running direct.
It's like wine.... a 10$ bottle will be below average, a 50$ bottle will be great, and a 1000$ bottle is not worth the extra 950$ for the 0.000001% "better taste".
- People buy year, collect guitars, talk about gear, own a studio, tell others what to buy, critique others.... but you never hear their music. Lots of pictures of rigs, lots of "upgrading my rig" posts, lots of questions about setups.... but never any music? There is nothing wrong with this, but it's a weird phenomenon. If you have the best amp and tone.... go make some tunes!
- Dissing modern/djent/prog metal because it's homogeneous sounding is fair, but holding up 80s/90s bands as the benchmark is stupid. Those Axe-FX Djent kids are no different from what 60s boomers thought of you with your dig-multi FX and 20U Rack systems in 1991. It's better these kids are djenting and getting in to guitar, than doing nothing at all. Just because it doesn't fit within your narrow scope of acceptability... doesn't mean it's bad!
Now you go... and be as spicy as you wish!
(if you are emotionally affected by the opinions here, then please go outside for a walk and re-evaluate your priorities)
- Dimebags tone sounded like a fizz mess to me. The SS Randall sound was terrible especially when in the context of shredding pentatonics. That fizzy "insane on Line6 spider" sound never got me excited to hear in a mix, especially when he had access to 5051/6505, XXX, Mesa Rectos... Purists will say there is some ingenious reason behind it and it was all intentional but I don't buy that. Put me in a studio half cut with girls, drink, drugs etc and I'd probably dial in a tone I was happy with on a Roland Cube


- Dragging extremely high end gear to a small/medium venue has diminishing returns. Once your tone has been run through the desk and crappy PA system it probably has lost any of the nuances you hear at home, and not 1 single person in the whole venue would know if you switched to an AxeFX Std running direct.
It's like wine.... a 10$ bottle will be below average, a 50$ bottle will be great, and a 1000$ bottle is not worth the extra 950$ for the 0.000001% "better taste".
- People buy year, collect guitars, talk about gear, own a studio, tell others what to buy, critique others.... but you never hear their music. Lots of pictures of rigs, lots of "upgrading my rig" posts, lots of questions about setups.... but never any music? There is nothing wrong with this, but it's a weird phenomenon. If you have the best amp and tone.... go make some tunes!
- Dissing modern/djent/prog metal because it's homogeneous sounding is fair, but holding up 80s/90s bands as the benchmark is stupid. Those Axe-FX Djent kids are no different from what 60s boomers thought of you with your dig-multi FX and 20U Rack systems in 1991. It's better these kids are djenting and getting in to guitar, than doing nothing at all. Just because it doesn't fit within your narrow scope of acceptability... doesn't mean it's bad!
Now you go... and be as spicy as you wish!
