Your Pedal Board suks..

  • Thread starter Thread starter midnightlaundry
  • Start date Start date
I am working on a Boss exclusive pedalboard 😁 and recently acquired smaller SDE-3 to replace the EVH large delay and not sure if I'll keep the DD-7 as I really dig the compact SDE-3

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I've stopped using all my pedals because they were creating so much tone suck in my loop. Need to buy something to fix that problem.
 
Put whatever you want on your board, but I would suggest you use Cioks to power it all.
Best power supplies I've used.
YMMV

Edit: oops, I see Mr VB has already posted the Cioks recommendation.
My reading comprehension ain't what it was....
Carry on....
+1 for Cioks.
But the Walrus Canvas Power supplies are "probably just as good" (in quotes cause idk, but spec-wise they're similar). I run both Cioks and WA on diff boards.
My God mang.. Not an inch to spare!
Yep.
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I like that it's not a regular Delay Llama, it's a Delay Llama Extreme!

My goal is always to get signal off the board. Especially if there's wireless involved.

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MIDI to change patches, MIDI volume, and a rack wah remote. Everything else is in the amp or the Eventide.
 
The home board. Vox wah and ebmm volume pedal on a smaller board, rack tuner and eq.
View attachment 454788
The live board is just volume, sparkle drive, random boost (the ZEQD lately) and tuner.

Sparkle drive is the best deal in tube screamers

Guaranteed, Josh Scott is going to make a video on them, and they are going to go from 50$ to 13294083$ overnight because they sound amazing
 
If there's one pedal that benefits from a parallel path so you can mix in less of it, it's the tube screamer.

In the case of high gain rhythm tones? Yeah it's absolutely the best thing in the world to reintroduce some clarity and transients back into the mix. TBH it's something that a lot of engineers do on recordings without telling their clients anyways.

I can definitely see how they would seem useless if you play sissy music though
 
In the case of high gain rhythm tones? Yeah it's absolutely the best thing in the world to reintroduce some clarity and transients back into the mix. TBH it's something that a lot of engineers do on recordings without telling their clients anyways.

I can definitely see how they would seem useless if you play sissy music though
Oh I'm absolutely in favor of mixing in less tube screamer. You'll unquestionably improve clarity and transients. The idea should just be taken to its logical conclusion.
 
Oh I'm absolutely in favor of mixing in less tube screamer. You'll unquestionably improve clarity and transients. The idea should just be taken to its logical conclusion.

Yeah, the logical conclusion, everyone should play clean tones on vagina music
 
Yeah, the logical conclusion, everyone should play clean tones on vagina music
If that's what you want to do, more power to you. Playing music that women like has some obvious upsides. But the amount of tubescreamer is hardly the dividing line between the two.
 
If that's what you want to do, more power to you. Playing music that women like has some obvious upsides. But the amount of tubescreamer is hardly the dividing line between the two.

Yeah if you want play pussified tweetybird music, you're more than welcome to reap the rewards of 58 year old Tammys that come with the cover band gig.
 
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