SonVolt
Well-known member
Bob Bradshaw was on Tone Talk a few years back and said he was able to get the Axe-Fx so close to the 2290 that neither him nor The Edge could tell the difference when A/B'd. With that I've gone the Fractal VP4 route.
Bob Bradshaw was on Tone Talk a few years back and said he was able to get the Axe-Fx so close to the 2290 that neither him nor The Edge could tell the difference when A/B'd. With that I've gone the Fractal VP4 route.
Yep, why I like the Nemesis. Timeline does a good job of that as well. It's kinda of a toss up between the Timeline and Nemesis for me. Nemesis is more pristine on the digital part but the Timeline has the readout and the ability to tap through presets better. I have the Collider as well as I was going to build a super small board around it but just to side tracked the last few years with all these "board" plans lol.I have also been messing with my SA Collider. It also seems better at sitting behind the high gain tone in a subtle way.
If I go with the VP4 I'm focusing on digital delays and some verbs running into the loop. If it can do a great digital delay like the Nemesis and Timeline, then that is what I'm looking for. Also not running stereo either, just don't have the time for all that anymore.FWIW, the VP4 is a great little pedal. It'll get pretty close to the 2290, but the sonics aren't quite the same. By that, I mean the sound of the un-effected signal is sweetened by the 2290 in a distinct way that the VP4 doesn't do and the Flight Time is the closest to. But the VP4 more than makes up for that in versatility and can do a lot more than just delays.
If I go with the VP4 I'm focusing on digital delays and some verbs running into the loop. If it can do a great digital delay like the Nemesis and Timeline, then that is what I'm looking for. Also not running stereo either, just don't have the time for all that anymore.
Rest of the front end stuff ala Chorus, Flanger, Vibe etc.. will be dedicated pedals. If some of the modulation stuff is good on the VP4, then it'll just be icing on the cake.
My biggest fear with the Fractal stuff is the programming, I did not get on with the FX-8 at all and I have programmed alot of rack units through the year.
If I go with the VP4 I'm focusing on digital delays and some verbs running into the loop. If it can do a great digital delay like the Nemesis and Timeline, then that is what I'm looking for. Also not running stereo either, just don't have the time for all that anymore.
Rest of the front end stuff ala Chorus, Flanger, Vibe etc.. will be dedicated pedals. If some of the modulation stuff is good on the VP4, then it'll just be icing on the cake.
My biggest fear with the Fractal stuff is the programming, I did not get on with the FX-8 at all and I have programmed alot of rack units through the years.
I have thought about a VP4 also, as I have an Axe 2 and FM3. They sound great, but the idea of the pedals is to have something simple. I also want analog dry through, and the VP4 + mixer starts getting very non- simple.
Yep, why I like the Nemesis. Timeline does a good job of that as well. It's kinda of a toss up between the Timeline and Nemesis for me. Nemesis is more pristine on the digital part but the Timeline has the readout and the ability to tap through presets better. I have the Collider as well as I was going to build a super small board around it but just to side tracked the last few years with all these "board" plans lol.
Is it expensive? Yes.
Is it complicated? Yes.
Does it sound like god? Ohhhh yes.
Does it look like the cockpit of a jet fighter from top gun? Also yes.
Michael Nielson joins me, @itsgoodnow , and a few others in the chad FTT Flight Time enjoyer club
That thing looks terrifying..
I also want analog dry through, and the VP4 + mixer starts getting very non- simple.