
steve_k
New member
suhrimmetal":3jcvw8tn said:Steve...that lineup sounds fun!! I will just take the Fortin, Cameron, and Cornford and then I'll be good![]()
Honestly tho, The Cameron CCV and Cornford are still very much on my mind.. I may have put the VH4 out of the running..hmmm.. Been emailing some good players and good ears and the CCV's and Cornfords keep coming up..must be a reason
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As far as the members above post about me and Andy Timmons and Im going the wrong route in search of an amp.. AT is an idol of mine.. Im not trying to sound like him, I just jam on his stuff when I get some time to just noodle.. I can dial back my volume/tone knobs with about any amp, throw a bb preamp on it with some delay and be close enuf to suit me.. Or just push a clean channel a bit and be in the same area. Andy's tone is in his soul.. No one sounds like him.. Im not trying to..he's just one of my big influences. Cheerz and thanx for your input...It probably won't be a JVM for me.
I always spin the amps in terms of live tone and playing live, without OD pedals and can I get where I want to be with it. I have flipped a lot of amps that sound great and can be tweaked endlessly to end up near a tone you are after. But, I generally go for something that will sound like I want with one set of settings.
As far as the CCV vs. Corndog, the CCV is going to be a tighter amp even when dialing up with ass loads of gain. The Cornford will run a little more saturated and slightly more compressed. It is more traditional British in voicing than the CCV. 2 loops, free running or channel assigned and the 2nd master and no switching issues make it a kick ass amp, especially for a 50 watt. You also have a channel gain/volume and both masters. So, you can really play with the drive of the amp for some nice harmonics and sweet as overdrive. The CCV is more in your face and edgy than the Corndog.