Solarflares
Member
More like camping out in the bus-station toilets, opening his mouth for $5!If he lived, he’d be selling out 10 seaters, opening up for Phillip Sayce.
More like camping out in the bus-station toilets, opening his mouth for $5!If he lived, he’d be selling out 10 seaters, opening up for Phillip Sayce.
Sounds like you know a lot about that.More like camping out in the bus-station toilets, opening his mouth for $5!
Hey, it’s not gay if you don’t push back.Sounds like you know a lot about that.
Whatever you gotta tell yourself Nancy.Hey, it’s not gay if you don’t push back.
As I said above, "arguable", "debatable" etc... Way to many varying stories out there.He was gonna do another studio album and tour after the live covers of Sabbath material. Page 227 in Rudy’s book
That's very possible.Long story short, he would’ve quit Ozzy, took his lessons, and returned to his mother‘s music store, giving lessons for the rest of his life.
I had a Peavey Musician and it was a fuckin horrible amp for guitar.I would believe a Peavey Mace but damn.....a Musician......This video would have been his Peavey Musician head / Ampeg cab with Altecs and the MXR Distortion Plus. He did not get the Marshall until after joining Ozzy and going to England.
I had the same amp. And at least 3 other reasonable facsimiles. Including one for bass. Mark 4 I think. And I had one older than the one pictured that was called a Musician. None of them were anything to write home about, although I will say you could toss them off the roof and they'd still work. I eventually gave them all away.I had a Peavey Musician and it was a fuckin horrible amp for guitar.I would believe a Peavey Mace but damn.....a Musician......
Here's the one I had.
View attachment 453701
I have to give Randy credit, he made it sound glorious compared to the tones I heard in it. I graduated to a 1984 1x12 Marshall S/S mosfet combo then a 1979 100 watt 2203 halfstack and I never looked back. I have no good memories of my Peavey Musician.........I had the same amp. And at least 3 other reasonable facsimiles. Including one for bass. Mark 4 I think. And I had one older than the one pictured that was called a Musician. None of them were anything to write home about, although I will say you could toss them off the roof and they'd still work. I eventually gave them all away.
You take Randy or Eddie or Jimi or anyone like that and give them the crappiest guitar and rig on the planet and they will still sound like themselves. Tone really is ( partly) in the fingers.I have to give Randy credit, he made it sound glorious compared to the tones I heard in it. I graduated to a 1984 1x12 Marshall S/S mosfet combo then a 1979 100 watt 2203 halfstack and I never looked back. I have no good memories of my Peavey Musician.........![]()
YEP................^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^You take Randy or Eddie or Jimi or anyone like that and give them the crappiest guitar and rig on the planet and they will still sound like themselves. Tone really is ( partly) in the fingers.
You can see it in the original vid posted. It older than yours..has the BIG knobs.I had a Peavey Musician and it was a fuckin horrible amp for guitar.I would believe a Peavey Mace but damn.....a Musician......
Here's the one I had.
View attachment 453701
You take Randy or Eddie or Jimi or anyone like that and give them the crappiest guitar and rig on the planet and they will still sound like themselves. Tone really is ( partly) in the fingers.
Brad did do a good job on that stuff. Tone IMO was good as well.And Brad Gillis did a better job than RR ever would on the Sabbath material on Speak Of The Devil
When Blue Blud finished their “Universal Language” recordings, they played me the album, and asked what I thought of it.Brad did do a good job on that stuff. Tone IMO was good as well.
That said it would have been alot more exciting to hear Randy's takes of more of it because Brad was very much in the pocket. Whereas what you hear from Randy doing that stuff, he more or less went for it. I still think he approached that stuff as if he was thumbing his nose at Ozzy because he had to play it.
Gillan maybe, replacing Yannick Gers.I could see him in 80s Deep Purple, replacing Blackmore