Exo-metal
Well-known member
You have two variacs and read all the stories but do you have any of your own? Let's hear about it. Try to refrain from anything except your direct experience.
Just asking for direct experience using two with a plexi. That is all. I have heard of that and seen a clip and know it works and I have heard about a direct coupling to the OT. I just want direct experience for the discussion.Are you asking about the Chris Merren theory of using two variacs with a Marshall plexi/SL?
One variac used to variac the power supply of the amp and then variac two used between the head and the 4x12 speaker cabinet as a type of attenuator.
I have done the two Ohmite Variacs exactly the way Chris Merren described it and laid it out. Interesting enough the second attenuator variac is set at 90VAC and it does provide some volume reduction and the amp does react and sound different with some different aggressive artifacts to the tone and how the amp feeds back. The amp tends to feedback in a more immediate interesting way compared to not having the variac in the signal chain. I found it to be cool and different enough when I used it. You may find it interesting you may not, I don't think it's anything uber magical but it is different. I guess I would describe the tone a bit more sizzlely in the attack and how the amp crunched and would easlily break into really great feedback on held notes.Just asking for direct experience using two with a plexi. That is all. I have heard of that and seen a clip and know it works and I have heard about a direct coupling to the OT. I just want direct experience for the discussion.
Please don't post any pics of two variacs and one CUP.....I beseech you..............Two variacs, 1 cup holder. The true secret to Billy Blades tone aka the brown and green sound
I wouldn't try this to not risk a smoked OT in my amp.
A variac is a transformer and a transformer not only transforms voltages, but also impedances.
If you have the variac half way down, then half the voltage & half the current goes to the cab, means a quarter of the power the amp puts out.
But your cab's impedance then also transformed to the amp what means, that the amp 'sees' double the cab's impedance, 32 ohms.
What might happen?
Voltage spikes up to 5 kV inside the OT what will damage the insulation between the OT's secondary & primary. Better stay away from such experiments!
I've just edited my post, because in the described case the amp even would see 4 times the cab's impedance.Thanks for the clarification. It sounds like an insane idea for sure.
This was the original clip 10yrs ago who ran it after the head into the cab. I can't find his clip explaining it, there was one. Again, this isn't about tone chasing but theoretical discussion much like the two methods of how to wire a 412. This ties into the NFG and OT and plays a huge part in your final tones without question.
Then when set the impedance selector to 16 ohms you've increased the real output impedance of the amp to 32 ohmsI didn't damage my output transformer doing the variac attenuator setup (but I also pulled two tubes) but Larry knows his technical details without question.
Definitely!I would add the fact of early chronicling of the 78 tour that a certain someones amp went through alot of output transformers......Was this the reason for that??????????????????
Didn't Marshall try this with the Power Brake, which uses an autotransformer ?If it were so easy and risk-free, why haven't all manufacturers of attenuators taken up this idea![]()
Besides not doing this, it will be interesting to hear your solution.Have an OT wound for you, whose isolation resists 10 kV...
... only then the screen grids of the output tubes will melt due to overload.
You can't outsmart physics![]()